Title and statement of responsibility area
Title proper
General material designation
Parallel title
Other title information
Title statements of responsibility
Title notes
Level of description
Reference code
Edition statement
Edition statement of responsibility
Statement of scale (cartographic)
Statement of projection (cartographic)
Statement of coordinates (cartographic)
Statement of scale (architectural)
Issuing jurisdiction and denomination (philatelic)
Dates of creation area
Date(s)
-
[195-] - [1998] (Creation)
Physical description area
Physical description
ca. 240 audio recordings : cassettes and reels
Publisher's series area
Title proper of publisher's series
Parallel titles of publisher's series
Other title information of publisher's series
Statement of responsibility relating to publisher's series
Numbering within publisher's series
Note on publisher's series
Archival description area
Custodial history
Scope and content
Series consists of the sound recordings about, by, or related to the Museum of Anthropology. Sound recordings can be found in many collections and fonds in the MOA Archives; the recordings in this General Media collection are those that do not belong to a more specific archival collection, usually because their provenance is not known.
Notes area
Physical condition
Immediate source of acquisition
Arrangement
Recordings are divided into two subseries: Institutional recordings and Private recordings.
Language of material
Script of material
Location of originals
Availability of other formats
Restrictions on access
Terms governing use, reproduction, and publication
Finding aids
Associated materials
Accruals
General note
History of this Series:
An archives assistant went through the audio recordings and divided them into either institutional records (MOA) or private/external records (MAN, for manuscript); these became known as the MOA Series and the MAN Series (although they are actually subseries under the Series 1: Audio). Within the MOA/MAN series, the records were further arranged into subject categories. Once the audio recordings were assigned a MOA/MAN series, a new unique-sequential identifier was assigned to each record. The unique-sequential identifiers began with either MOA or MAN followed by a numeric value (e.g. MOA 10, MAN 25, etc.).
At first, records that were created in one recording session (e.g. three audio cassette tapes captured in one interview) were assigned separate numeric identifiers. Later on at an unknown point in time, records that were created in one recording session were assigned one numeric identifier and an alpha character (e.g. a, b, c, etc.) was affixed to the end to create a unique-sequential identifier (e.g. MOA 1a, MOA 1b, etc.).