Carving

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Carving

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Carving

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Carving

124 Archival description results for Carving

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A1780 and A1781

File includes one drawing and two photographs of MOA Object ID A1780 and A1781 which are carved figures. The photographs are annotated with handwritten information about their original repositories. The contents of this file were used to create object labels for MOA's Great Hall.

A2524

File includes one photograph of MOA Object ID A2524 which is a feast dish. The photograph is annotated with handwritten information about its original repository. The contents of this file were used to create object labels for MOA's Great Hall.

A4147

File includes two photographs of MOA Object ID A4147 which is a feast dish. The photographs are annotated with handwritten information about their original repositories. The contents of this file were used to create object labels for MOA's Great Hall.

A50011

File includes three photographs of MOA Object ID A50011 a and b which are eagle sculptures. The photographs are annotated with handwritten information about their original repositories. The contents of this file were used to create object labels for MOA's Great Hall.

A50042

File includes one photograph of MOA Object ID A50042 which is an eagle sculpture. The photograph is annotated with handwritten information about their original repositories. The contents of this file were used to create object labels for MOA's Great Hall.

A50043

File includes one drawing and three photographs of MOA Object ID A50043 which is a speaker's post. The photograph is annotated with handwritten information about their original repositories. The contents of this file were used to create object labels for MOA's Great Hall.

Audrey Hawthorn discusses the work of Mungo Martin

Item is a sound recording of Audrey Hawthorn discussing the work of Mungo Martin as he provides a carving demonstration. Mungo Martin does not speak during the recording. Audrey Hawthorn provides a brief biography of Mungo Martin, a description of his work carving the totem poles that stand at UBC’s totem park, the tools he uses, his design process and lastly describes the the intricate steps required to create Kwakiutl wood carvings.

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