An image showing ocean waves breaking on shore. According to the documentation included with the filmstrip, the description of the image states "During the Winter it rains most days and is often foggy, and there are always some terrible storms. Walter's Cove is protected, but the other side of Walter's Island is open to the full force of a South-East gale! This frame shows a wave smashing into the shore at outside beach. (See accompanying map of Kyuquot.)"

An image showing two buildings with a small shed, a dock and a flag pole at the front. According to the documentation included with the filmstrip, the description of the image states "The far building is the Primary classroom (K-3), while Intermediate grades (4-7) are held in the other building. Can you see the school wharf? You would have to come to school in a boat if you lived in Kyuquot!"

An image of two children standing at front of a chalk board and looking at the camera. According to the documentation included with the filmstrip, the description of the image states "Ginger Jack and Marie Hansen write a board story."

An image of four boats in the water, mountains and woods in the background. According to the documentation included with the filmstrip, the description of the image states "Trolling for salmon in Kyuquot Sound. Why do the boats have their poles down?"

An image showing two young men sitting on a boat filled with shipping parcels. According to the documentation included with the filmstrip, the description of the image states "School supplies have arrived on the Patsco. Paul Vincent and Leo Jack bring them from the fuel wharf to the school wharf."

An image of a person leaning over a boat, holding a gaff with a caught fish. According to the documentation included with the filmstrip, the description of the image states "A catch! Victor prepares to gaff a salmon."

An image of a drawing by the Kyuquot Elementary School children titled "The women cut up the salmon to dry".

A close-up image of a cooking pot filled with clams and vegetables. According to the documentation included with the filmstrip, the description of the image states "Adding the vegetables."

An image of a drawing by the Kyuquot Elementary School children titled "Having Fun".

An image of two children and an adult feeding birds on the beach, two dogs stand nearby. Woodland and houses in far distance. According to the documentation included in the collection the description of the image states "Throwing bread crumbs to the seagulls."

An image of a beach shore with woodland in the background. According to the documentation included with the filmstrip, the description of the image states "The beach at Rugged Point is a good place to swim, beach comb, and picnic."

An image of a child holding glass balls of different sizes. According to the documentation included with the filmstrip, the description of the image states "Diane Jack holds glass balls found on Rugged Point beach. Every year thousands of these fish floats are lost by Japanese fishermen. They float over from Japan on the Japanese Current, and the surf throws them onto the beaches of the West Coast of North America."

A close-up image of person's hands holding a Kyuquot beaded wrist band. According to the documentation included with the filmstrip, the description of the image states "Natalie Vincent holds a beaded wrist band. Can you see three traditional Nootka patterns: the Whale hunter in his canoe, the whale, and the eagle?"

A close-up image of a child in red hooded rain coat, a silhouette of an adult in the background. According to the documentation included with the filmstrip, the description of the image states "Paula Finch dressed up for the rain."

An image of a group of children standing on a boat, looking and smiling at the camera, two of them holding a sign "The End". According to the documentation included with the filmstrip, the description of the image states "The end. We all hope you have enjoyed our filmstrip!"

Workers use a scaffold to cover a totem pole in padding while a trane prepares to lift it. It is in the process of being moved from Totem Park to the New Museum of Anthropology. This pole was carved by George Hunt Sr. The pole is now part of the museum's collection. This pole was originally carved for the Edward S. Curtis film "In the Land of the War Canoes" which was originally titled "In the Land of the Head Hunters." The pole was repaired and re-painted by carvers Ellen Neel in 1949 and Mungo Martin in 1950-51. It stood at Totem Park, UBC Campus until it was re-located to the Museum's Great Hall in 1976.

Workers oversee moving a totem pole as it hangs horizontally from a crane. It is in the process of being moved from Totem Park to the new Museum of Anthropology building. This pole was carved by George Hunt Sr. The pole is now part of the museum's collection.This pole was originally carved for the Edward S. Curtis film "In the Land of the War Canoes" which was originally titled "In the Land of the Head Hunters." The pole was repaired and re-painted by carvers Ellen Neel in 1949 and Mungo Martin in 1950-51. It stood at Totem Park, UBC Campus until it was re-located to the Museum's Great Hall in 1976.

Two totem poles lie on a truck trailer as they are being moved from Totem Park to the new Museum of Anthropology building. The pole on the viewer's left was carved by George Hunt Sr. The pole is now part of the museum's collection. This pole was originally carved for the Edward S. Curtis film "In the Land of the War Canoes" which was originally titled "In the Land of the Head Hunters." The pole was repaired and re-painted by carvers Ellen Neel in 1949 and Mungo Martin in 1950-51. It stood at Totem Park, UBC Campus until it was re-located to the Museum's Great Hall in 1976.

The pole on the viewer's right was carved by Mungo Martin and was later restored by him in 1950-51.

Workers unloading totem poles from a trailer outside the Museum of Anthropology as they are being moved from Totem Park to the new Museum of Anthropology building. The pole on the viewer's left was carved by George Hunt Sr. The pole is now part of the museum's collection. This pole was originally carved for the Edward S. Curtis film "In the Land of the War Canoes" which was originally titled "In the Land of the Head Hunters." The pole was repaired and re-painted by carvers Ellen Neel in 1949 and Mungo Martin in 1950-51. It stood at Totem Park, UBC Campus until it was re-located to the Museum's Great Hall in 1976.

The pole on the viewer's right was carved by Mungo Martin and was later restored by him in 1950-51.

Workers prepare to raise a totem pole in the new Museum of Anthropology as it was being moved from Totem Park to the new Museum of Anthropology building.
This pole was carved by George Hunt Sr. The pole is now part of the museum's collection. This pole was originally carved for the Edward S. Curtis film "In the Land of the War Canoes" which was originally titled "In the Land of the Head Hunters." The pole was repaired and re-painted by carvers Ellen Neel in 1949 and Mungo Martin in 1950-51. It stood at Totem Park, UBC Campus until it was re-located to the Museum's Great Hall in 1976.