- 92-3-a034546
- Pièce
- [ca. 1964 - 1967]
Fait partie de Virginia Kehoe fonds
Image depicts a print entitled Red Border Eye Design. Other notes say, "sh 50 Ap 2.8__4"
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Fait partie de Virginia Kehoe fonds
Image depicts a print entitled Red Border Eye Design. Other notes say, "sh 50 Ap 2.8__4"
Fait partie de Virginia Kehoe fonds
Image depicts a painting of a sea creature, possibly a whale. The painting is done in black, red and blue on white paper.
Fait partie de Virginia Kehoe fonds
Image depicts the mythical serpent Sisiul, painted in black on white paper. Additional notes say, "Shutter 50 Ap. 2.8__4"
Fait partie de Virginia Kehoe fonds
Image depicts a portion of a wood relief carving.
Wood relief carving, close up of eye
Fait partie de Virginia Kehoe fonds
Image depicts a portion of a wood relief carving, focusing on what may be an eye. The carving appears to be unfinished as rough edges and some markings can be seen.
Fait partie de Virginia Kehoe fonds
Image depicts a small carving that may represent an eagle.
Fait partie de Virginia Kehoe fonds
Image depicts a small carving that may represent an eagle. The carving is held up by hand and posed against a red building in the background.
Fait partie de Virginia Kehoe fonds
Image depicts a small carving of a halibut that rests on a ledge. Additional information indicates that this photo was taken at a shutter speed of 50 with an aperture of 2.8 - 4.
Fait partie de Virginia Kehoe fonds
Image depicts a sea gull mask, painted in brown, tan, white and gray. The mask is photographed outdoors on top of a mat.
Fait partie de Virginia Kehoe fonds
Image depicts a cedar carving that may be an eagle. The carving has been photographed outside on a mat.
Fait partie de Virginia Kehoe fonds
Image depicts two carvings entitled Slave Killers. The photograph was taken outside and the two figures appear to be getting ready to throw a black object.
Ya-q-wees sea monster carving, frontal view
Fait partie de Virginia Kehoe fonds
Image depicts a side view of Ya-q-wees, a sea monster carving.
Fait partie de Virginia Kehoe fonds
Image depicts a side view of a mask identified as the Arts of Ronen mask.
Fait partie de Virginia Kehoe fonds
Image depicts a frontal view of a killer whale mask. A distinguishing feature is the long fin that rises from the top of the mask.
Facial closeup of freestanding carving
Fait partie de Virginia Kehoe fonds
Image depicts a closeup of the head of a freestanding carving. Painted in black, white, and red, it depicts a face with prominent ears, eyes, and mouth. An unpainted section can be seen on the top of the head. See also items a34570 and a34572 for other views of this carving.
Freestanding carving, side view
Fait partie de Virginia Kehoe fonds
Image depicts a side view of a freestanding carving. Painted in black, white, and red, it depicts a face with prominent ears, eyes, and mouth. In this view the white vest and hands are also visible. An unpainted section can be seen on the top of the head. See also items a34570 and a34571 for other views of this carving.
Plans and drawings for Nootka canoe
Fait partie de Virginia Kehoe fonds
Image depicts Cranmer with drawings made for his Nootka canoe project for the Royal Museum of British Columbia in Victoria, B.C.
Fait partie de Virginia Kehoe fonds
Image depicts an interior room used for carving. A canoe is visible in this image.
Carving demonstration by Mungo Martin
Fait partie de MOA General Media collection
Item is a sound recording of an unidentified narrator providing the voice-over for an unidentified documentary. The narrator describes the techniques used by Mungo Martin as he provides a carving demonstration and also the acquisition by UBC of totem poles for Totem Park. The narrator also discusses the tools used by Mungo Martin, his methodology and symbolism used in his carvings. Mungo Martin does not speak during the recording.
Tape for Mask Group, Anthropology 431
Fait partie de MOA General Media collection
Item is a sound recording of material used in the UBC course, Anthropology 431. The recording features a speaker discussing Coast Saalish and Kwakwaka'wakw masks in terms of similarities and differences in form and meaning, particularly in reference to writing on the subject by Claude Levi-Strauss. The recording is related to the MOA exhibition Kwakiutl Masks: An Expression of Transformation, which took place from April 15 to December 31, 1979. The content of the recording is repeated three times.