The majority of this file contains historical images of the Tlingit and Tahltan First Nations and their respective villages. The other images are of Tlingit or Tahltan artifacts housed in various museums in Canada and the United States. The historic images are of Tlingit or Tahltan villages which include images of Northwest Coast architecture, houses posts and totem poles, canoes, and other household items such as bowls, weavings, and bentwood boxes. There are also some images of the Tlingit people in regalia. The textual records contained in this file is a paper titled "The History of the Babine Carriers," written by Wilfred Adam for the class Education 479, Cross Cultural Education.

Photos taken by Tanya Bob in May 2001 during a visit to Tahltan territory and photos taken during a class visit to MOA by Mr. Sanderson's class from Tahltan community of Dease Lake in June 2001

Materials sent to Tahltan Nation related to the exhibition, for approval and feedback.

Interview files and transcripts of interviews conducted by Tanya Bob with Margery Inkster, Pat and Edith Carlick, Melva Quock, Sally Havard, Robert and Jenny Quock, Charles and Peggy Quock

Contact information for invitations to Tahltan community members for exhibit opening

Portraits of 11 individuals. There is no identifying information or indication of what they were taken for, but based on date on back of image they may be related to Mehodihi exhibition.

Item is the second of eight audio recordings of George Myers of Riske Creek, British Columbia singing in the Chilcotin language, with drum accompaniment. He speaks in English in between songs about his spiritual beliefs and work as a medicine man.

Item is the fourth of eight audio recordings of George Myers of Rikse Creek, British Columbia singing in the Chilcotin language, with drum accompaniment. He speaks in English in between songs about his spiritual beliefs and work as a medicine man.

Item is the eighth of eight audio recordings of George Myers of Riske Creek, British Columbia singing in the Chilcotin language, with drum accompaniment. He speaks in English in between songs about his spiritual beliefs and work as a medicine man.

Lives at Anahim Lake and gives his age as 70 years old. Both his father and mother were Ulkatcho

File contains images of the First Nation artists involved with the Through My Eyes exhibit. The images show them looking at objects in the Vancouver Museum's collection. The artists shown in the photographs are Cyril Carpenter, Ben Davidson, Robert Davidson, Norman Tait, Isabel Rorick, Doreen Jensen, Judge Alfred Scow, Lyle Wilson, Dolly Watts, Bill Reid, Glen Tallio, Richard Hunt, Terry Starr, Tim Paul, Richard Summer, Dempsey Bob, Jim Hart, and William White.

Includes photos labelled as Tahltan Territory, Dease Lake. Tahltan trip to MOA, Tahltan trip to RBCM, Oct Tahltan, and Tahltan trip CMC. Also includes photos of Tahltan objects taken by Bill McLennan and David Cunningham.

Includes contact sheets and photo logs for photos gathered for Tahltan exhibition and/or web gallery. These are likely connected to the photos in file 01 (Tahltan visual records) of this subseries.

Transcripts from Tahltan exhibit meeting with Pat Carlick, Edith Carlick, Robert Quock, Jenny Quock, Melva Quock, Sally Harvard, Cynthia Collision, Nanette Jackson, Curtis Rattray, Peter Morin, Mother Jonelle, Pam Brown, Tanya Bob, Ditta Cross, Paul Bolton, and Fran Bolton, discussing groupings of items for the exhibit and the process for community approval. File also includes a conservation estimate of the Tahltan exhibit with items and treatment needed, an exhibit outline, and draft label text.

Files includes a copy of the Tahltan Project Final Report - stage 3, a copy of Tahltan Tribe declaration 1910, a note from guest curator Tanya Bob, and reflections on project from Pam Brown (report to Museum Assistance Programme).

Planning materials for the exhibition including acknowledgement, entrance wall, groups of objects, photographs, label text, and panels. Also includes one pamphlet.

Application for funding from the Museum Assistance Programme for Tahltan exhibit collaboration. Includes narrative, budget information, letters of support from partners and more.