Área de título y declaración de responsabilidad
Título apropiado
General administration files
Tipo general de material
- Textual record
Título paralelo
Otra información de título
Título declaración de responsabilidad
Título notas
- Source of title proper: Title based on contents of series
Nivel de descripción
Séries
Código de referencia
Declaración de edición
Declaración de responsabilidad de edición
Mención de la escala (cartográfica)
Mención de proyección (cartográfica)
Mención de coordenadas (cartográfica)
Mención de la escala (arquitectónica)
Jurisdicción de emisión y denominación (filatélico)
Área de fechas de creación
Fecha(s)
Área de descripción física
Descripción física
13.1 cm of textual records
Área de series editoriales
Título apropiado de las series del editor
Títulos paralelos de serie editorial
Otra información de título de las series editoriales
Declaración de responsabilidad relativa a las series editoriales
Numeración dentro de la serie editorial
Nota en las series editoriales
Área de descripción del archivo
Nombre del productor
Historia biográfica
Audrey Patricia MacKay Shane was born on August 27, 1922 in Milwaukee, Wisconsin. She received a diploma in Interior Design from the University of Manitoba in 1942 and worked for the Department of Architecture and Fine Arts at the University for the next three years. In the period between 1962 and 1970, she served in voluntary roles such as secretary of the Winnipeg Symphony Orchestra and treasurer of the Manitoba Archaeological Society. In 1974, Shane received her Bachelor of Arts in Anthropology from the University of British Columbia (UBC). A year later, she was hired as Archivist/Librarian at the Museum of Anthropology, a position she held until she was appointed Curator of Documentation in 1979. As Archivist/Librarian, Shane was responsible for the documentation of the Museum’s collections for inclusion in the National Inventory of Canada as well as for the cataloguing of the collections.
Shane completed her M.A. in Anthropology in UBC in 1978. Her primary interest was in the art and material culture of the northern Northwest Coast, China, Japan and the Insular Pacific before the 20th century. As the Curator of Documentation, Shane’s responsibilities included ensuring the accurate permanent catalogue records were created and maintained for the Museum’s collections, interpreting the Museum’s collections to the public and students through exhibits, publications, university and community teaching, and representing the museum on a local and international level. She taught a series of laboratory sessions in the Anthropology course, Museum Principles and Methods, a course offered by UBC’s Department of Anthropology and also conducted lectures and seminars for the Museum’s volunteers. Shane has written various scholarly articles and presented many papers in numerous conferences. Her published articles include “Sensibilities: Unsuspected Multicultural Harmonies” which appeared in the March/April 1983 issue of Canadian Collector, “Power in Their Hands: the Gitsontk,” which was published in The Tsimshian: Images of the Past Views for the Present and “Networking: the Canadian Experience,” a paper published for the Western Museum Conference in 1983. Shane has also curated a number of exhibitions and served on the Acquisitions and Collections Committees within the Museum. In addition, she was active in committees formed by professional associations such as the British Columbia Museum Association Committee on Legal and Ethical Questions. She also assumed the role of Signing Expert Examiner in Ethnography for the Canadian Cultural Property Export and Import Board. Shane retired from her position at the Museum in 1987.
Historial de custodia
Alcance y contenido
Series consists of correspondence, memoranda, grant applications, forms, guides, budget discussions, minutes from Curators’ meetings, notes from staff retreats relating to policies and procedures, job descriptions and institutional goals and other textual material relating to the daily administrative needs of the Museum. Included are a certificate of recognition, correspondence with the Cultural Property Import and Export Board, guides to cataloguing and classification systems and correspondence with UBC’s computing centre as well as the Department of Anthropology regarding the Museum’s computer needs.
Área de notas
Condiciones físicas
Origen del ingreso
Arreglo
Idioma del material
Escritura del material
Ubicación de los originales
Disponibilidad de otros formatos
Restricciones de acceso
Access restrictions apply to this series, consult archivist.
Condiciones de uso, reproducción, y publicación
Instrumentos de descripción
Generated finding aid
Materiales asociados
Related records in the same fonds: Records relating to the classification scheme and cataloguing system may be found in the Collections and Database series in the same fonds. Records relating to corridor cases may be found in the Project series in the same fonds.
Acumulaciones
Nota general
Correspondence with the Canadian Cultural Property Export Review Board was created as a result of the Museum’s applications for certification of cultural property, and should not be confused with the records generated by Shane as the Signing Expert Examiner of Ethnology for the Cultural Review Board (located in the External Committees series