Title and statement of responsibility area
Title proper
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Graphic material
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- Source of title proper: Title based on the creator of the fonds.
Level of description
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Statement of scale (cartographic)
Statement of projection (cartographic)
Statement of coordinates (cartographic)
Statement of scale (architectural)
Issuing jurisdiction and denomination (philatelic)
Dates of creation area
Date(s)
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May 1962 (Creation)
- Creation
- George Szanto
Physical description area
Physical description
8 photographs : col. slides ; 35 mm
Publisher's series area
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Archival description area
Name of creator
Biographical history
Custodial history
Scope and content
Fonds consists of eight slides of totem poles being raised in the Haida Village at the University of British Columbia (UBC). The slides are dated May, 1962. The photographs were taken by George Szanto, the son-in-law of Geoffrey Andrew who was the Dean and Deputy President of UBC from 1947 to 1962.
The totem poles represented in the images were carved by Haida artist Bill Reid and 'Namgis artist Doug Cranmer. They were originally situated at UBC's Totem Park. They are now located on the grounds behind the Museum of Anthropology, and modelled on a 19th century Haida village.
Notes area
Physical condition
Immediate source of acquisition
David Szanto, son of George Szanto.
Arrangement
Language of material
Script of material
Location of originals
Multiple Private Records box 8
Availability of other formats
Slides in the fonds have been digitized.
Restrictions on access
Terms governing use, reproduction, and publication
Finding aids
Generated finding aid
Associated materials
Accruals
No further accruals are expected.
Alternative identifier(s)
MOA Object ID
Accession number
Standard number
Standard number
Access points
Subject access points
Place access points
Name access points
- Bill Reid (Subject)
- Doug Cranmer (Subject)
Genre access points
Control area
Description record identifier
Institution identifier
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Dates of creation, revision and deletion
Created by Sophie Roberge, April 2018.
Photographs described by Steve Weisman, November 2019.