- 1-2-L-5 (10.8-9)
- Dossiê
- 2000
File contains images showing the ceremony and pole raising at the Museum of Anthropology.
File contains images showing the ceremony and pole raising at the Museum of Anthropology.
This file contains images of totem poles taken by Edward Malin and used in the Quatsino source book.
File contains two images of the Respect to Bill Reid pole that were taken for publicity purposes.
File contains photographs of a pole raising ceremony. Included are images of drummers, and community members in regalia, and totem poles.
Sin título
File contains photographs of a pole raising ceremony. Included are images of drummers, and community members in regalia, and transporting and raising the totem pole.
File contains images showing the Respect to Bill Reid Pole being unloaded from the flat bed truck.
Photographs of Haida House and totem poles pre-reconstruction
File contains images of totem poles being carved and images of the totem poles at Totem Park.
Photographs at Freda Diesing school
File contains images of people, events, and/or artwork associated with and/or produced at the Freda Diesing School. There are also images of longhouses and totem poles.
File contains images used in the exhibit and in the publication Ninstints: Haida World Heritage Site.
File contains images of totem poles and other Northwest Coast artifacts, such as weavings and carvings, housed at the Peabody Museum in Boston.
File consists of photographic prints depicting Oweekeno cultural objects from other institutions. Many of the prints are annotated with handwritten, stamped, or typed information about the contents of the images or their original repositories. The contents of this file were used to create object labels for MOA Object ID A50006 in MOA's Great Hall.
Oversized photographs of totem poles on Anthony Island
File contains images of totem poles being removed from Anthony Island.
File contains historical images of Nuu-chah-nulth villages and peoples. There is a focus on totem poles and canoes. There are also photographs of a pole raising ceremony to commemorate the visit of Governor General Willingdon who came to Tofino/Ucluelet in the 1920s. There are images of James Rush, Chief Miste Laabats Hamtsiid, and Chief Joseph John, dressed in Nuu-chah-nulth regalia.
File mainly contains historical images of the Nisga'a villages, peoples, and of Nisga'a totem poles. Other images are of modern day Nisga'a totem poles housed in museums in Canada and the United States. The textual records contained in this file are catalogue cards which provide some of the photograph's context, providing information such as the location of the photograph, the people in the photographs, which museum and/or archive collection the image belongs to, and/or the image's catalogue number.
Moving the totem poles on Anthony Island
File contains images of totem poles being being crated and shipped by boat.
Miscellaneous totem pole images
Parte deAnthony Carter fonds
File consists of images of totem poles and other carvings, some of which were taken at the University of British Columbia. The others are unidentified.
Sin título
File mainly contains slides of artist Jim M. Hart carving a replica of a pole that originated in Massett. There are also images of the replica pole's raising ceremony held at MOA in 1982.
File contains a combination of images of Kwakwaka'wakw artifacts housed in various museums and images of historical Kwakwaka'wakw villages on Vancouver Island and along the Northwest Coast of British Columbia. Artifacts include totem poles, bentwood boxes, carvings, masks, and Kwakwaka'wakw artwork such as paintings and drawings. There are historical photographs of the following villages: Gwat'sinuxw (Quatsino), Kwikwasutinuxw (Gilford Island), A'wa'etlala Village (Knight's Inlet), Mamalikala (Village Island), Wiwekalu Village of T'la'mataxw (Campbell River), Kwixa Village (Salmon River), Dunaxda'xw Village (New Vancouver), and Gwa'sala Village (Smith Inlet). The textual records include information about some of the photographs, identifying items such as the people, the villages, and/or the artifacts depicted in the photographs.