Showing 993 results

Archival description
British Columbia First Nations
Print preview Hierarchy View:

592 results with digital objects Show results with digital objects

Jimmie John & carvings

Portrait of Jimmie John with one of his carvings. A similar image is pictured on page 97 of Carter's book "From History's Locker," with the caption: "Jimmie John, one of the best of the Nootka carvers, shown here displaying a piece of his work, a replica of the famous Chief Maquinna mask."

Anthony Carter

Jimmie John & carvings

Portrait of Jimmie John with two of his carvings. A similar image is pictured on page 97 of Carter's book "From History's Locker," with the caption: "Jimmie John, one of the best of the Nootka carvers, shown here displaying a piece of his work, a replica of the famous Chief Maquinna mask."

Anthony Carter

Jimmie John & carvings

Portrait of Jimmie John with two of his carvings. A similar image is pictured on page 97 of Carter's book "From History's Locker," with the caption: "Jimmie John, one of the best of the Nootka carvers, shown here displaying a piece of his work, a replica of the famous Chief Maquinna mask."

Anthony Carter

Jimmie John & carvings

Portrait of Nootka carver Jimmie John with one of his carvings. A similar image is pictured on page 97 of Carter's book.

Anthony Carter

Jimmie John & carvings

Portrait of Jimmie John with two of his carvings. A similar image is pictured on page 97 of Carter's book "From History's Locker," with the caption: "Jimmie John, one of the best of the Nootka carvers, shown here displaying a piece of his work, a replica of the famous Chief Maquinna mask."

Anthony Carter

Jimmie John & carvings

Portrait of Jimmie John with one of his carvings. A similar image is pictured on page 97 of Carter's book "From History's Locker," with the caption: "Jimmie John, one of the best of the Nootka carvers, shown here displaying a piece of his work, a replica of the famous Chief Maquinna mask."

Anthony Carter

Jimmie John & carvings

Portrait of Jimmie John with two of his carvings. A similar image is pictured on page 97 of Carter's book "From History's Locker," with the caption: "Jimmie John, one of the best of the Nootka carvers, shown here displaying a piece of his work, a replica of the famous Chief Maquinna mask."

Anthony Carter

Jimmie John & carvings

Portrait of Jimmie John with one of his carvings. A similar image is pictured on page 97 of Carter's book "From History's Locker," with the caption: "Jimmie John, one of the best of the Nootka carvers, shown here displaying a piece of his work, a replica of the famous Chief Maquinna mask."

Anthony Carter

Jimmie John & carvings

Portrait of Jimmie John with one of his carvings. A similar image is pictured on page 97 of Carter's book "From History's Locker," with the caption: "Jimmie John, one of the best of the Nootka carvers, shown here displaying a piece of his work, a replica of the famous Chief Maquinna mask."

Anthony Carter

Jimmie John

Portrait of Jimmie John with one of his carvings. A similar image is pictured on page 97 of Carter's book "From History's Locker," with the caption: "Jimmie John, one of the best of the Nootka carvers, shown here displaying a piece of his work, a replica of the famous Chief Maquinna mask."

Anthony Carter

Jimmie & Cecilia John

File consists of images of Nootka carver Jimmie John and his wife, Cecilia, as well as some of John's carvings.

Anthony Carter

Interview with Haida Elder Percy Brown

Item is an audio recording of an interview with Percy Brown, a Haida Elder and well-known singer, about birds, animals, fish, whaling and trapping terminology on Haida Gwaii, British Columbia. He is interviewed by two unidentified women. In the first half of the recording, he is asked questions about local birds, for example, partridges, puffins and sea gull, in order to determine Haida names for the birds and to determine if the birds are native to Haida Gwaii. He is asked similar questions about various types of vegetation, for example, plant roots. He also provides information about historic uses of trading and trapping in Haida Gwaii. Percy Brown is featured in the 1979 LP Songs from Masset, referenced in the publication Northern Haida Songs by John Enrico and Wendy Bross Stuart which is available in the MOA Reading Room, call number 12.7c HAI ENR.

Interior house posts

Image of interior house posts in an abandoned settlement. These appear to be the house posts that were transported from Hope Island to the Museum of Anthropology in 1956.

Interior house posts

Image of interior house posts in an abandoned settlement. These appear to be the house posts that were transported from Hope Island to the Museum of Anthropology in 1956.

Interior house post

Image of a bear shaped interior house post. This appears to be a house post that was transferred from Hope Island to the Museum of Anthropology in 1956.

Interior house post

Image of a bear shaped interior house post. This appears to be a house post that was transferred from Hope Island to the Museum of Anthropology in 1956.

House posts and beam, Quatsino, BC

Image of the houseposts and beam of what once was a longhouse in Quatsino, BC, on the north end of Vancouver Island. These posts appear to be the same as posts now houses at the Museum of Anthropology (museum item number A50009 a-c). The poles are described on the museum's catalogue: "Two upright posts and crossbeam that were part of a large interior house frame (also see records d-f and g-h). The uprights depict sea lions carved in high relief and painted (parts a-b). Their heads are equal size to their bodies. Both part a and b have an eagle in profile within the sea lions front flippers. Part a has a top portion of a face painted on the back of its head that is part of a sisiutl that runs down the seal lions back and into its hind flipper with a serpent's head in each. The cross-beam (part c) is painted and carved as a supernatural double-headed sea lion. All parts are painted black and white with Northwest Coast stylized forms... The Klix'ken (sea lion) House was commissioned by Tza'kyius around 1906, and was the last old style house erected in Xwatis. The beams and figures stood as part of a house frame, and acted as structural supports. Figures represented on house frames were supernatural beings which the family living in the house had the right, through their history and origins, to represent."

Results 521 to 540 of 993