One copy of booklet that contains photographs taken by Bill McLennan. The book was donated by it's author, Laurence A.G. Moss. Moss was a visiting curatorial fellow at MOA (under Marjorie Halpin) in the mid-1980s. During that time, Bill assisted Moss in taking photographs that ended up in this book and associated exhibition.
Teh full title of the book is Art of Lesser Sunda Islands: A Cultural Resource at Risk. The book contains 13 photographs by McLennan
Subseries contains of one file consisting of images of two argillite sculptures at the MOA, UBC. These images were taken by McLennan while working with a student on a project related to masking the scale of the object. McLennan called it “Unravelling Scalability.”
File consists of images of two carvings made from argillite. The images were purposefully taken so that the scale of the object can not be determined. Photographs were taken in the Museum of Anthropology.
File contains copies of correspondence regarding McLennan and Duffek's application for publishing support for their book <i>The Transforming Image</i>.
File contains typed copies of apology letters held in other archival institutions. Apology letters include those by the Anglican Church, Catholic Church, Federal Government, Presbyterian Church, Royal Canadian Mounted Police, and the United Church.
This subseries contains images shown in the exhibit <i>Anonymous Beauty</i> curated by Miriam Clavir. This exhibit was on the Japanese handmade paper collection housed at MOA. In addition are 4 transparencies of the exhibit text.
File contains photo-copies of images of First Nation community members in Alert Bay and at St. Mike's Residential School. The photographs were taken to community elders who had been at the residential school so that they could annotate the photographs.