File contains images of various townspeople living in Bella Bella. The textual records include correspondence between McLennan and the United Church of Canada/Victoria Library Archives and catalogue cards from the five photographs included as well as from others.
Subseries consists of correspondence and accompanying photographs collected in anticipation of a potential metals project that never occurred at the Museum.
File mainly consists of textual records pertaining to a researcher looking for information about a bracelet in her possession. Other textual records include photocopies of images of the bracelet in question. The photographs contained in this file are of other silver bracelets on display at the Glenbow Museum and the American Museum of Natural History.
Item is a photograph of two men standing in front of a long house. The wooden structure is under construction and appears to be located in a museum gallery.
Item is a photograph of two long houses which appear to be under construction. There is a man standing in front of one of the houses on the far right of the photograph.
Subseries contains images of objects shown in the exhibition titled Tupilaq: Greenland Spirit Carvings held at the Museum of Anthropology March 4th 1984. The carvings are by Anton Utuak.
File mainly contains copies of letters McLennan sent to various members of the Lax Kw'Alaams First Nations who contributed to the Tsimshian Treasures exhibit. There is also a copy of a paper titled "From ceremonial object to curio: Object Transformation at Port Simpson and Metlakatla, British Columbia in the nineteenth century."
This subseries consists of records related to the traveling exhibit that came to MOA called <i>Treasures of the Tsimshian from the Dundas Collection.</i> Records include draft correspondence, and draft exhibit photos and text (including case labels).
File contains print outs of catalogue records of Tsimshian artifacts featured in the Dundas Collection Exhibit hosted at MOA from February to June 2008.
File contains correspondence, contracts, and the label for the Tsimshian house screen. The correspondence is between McLennan and Pam Brown and George MacDonald regarding the progression of the project.