- 150-02-E
- Sous-série organique
- 2004 - 2007
Fait partie de MOA Partnership of Peoples Renewal Project fonds
4 résultats avec objets numériques Afficher les résultats avec des objets numériques
Fait partie de MOA Partnership of Peoples Renewal Project fonds
Savage Graces: After Images by Gerald McMaster
Fait partie de David Cunningham fonds
Sans titre
Savage Graces: “After Image” by Gerald McMaster
Fait partie de Carol Mayer fonds
Fait partie de Marjorie Halpin (MOA Curator) fonds
Sub-series consists of records relating to Halpin’s planning and organization of the Sasquatch conference. The records include correspondence between Halpin and speakers, scholars, general inquiries regarding the conference, interdepartmental memorandas, funding and grant applications, conference paper abstracts, articles, book reviews, conference summaries, news releases, newspaper clippings, pamphlets, postcards, photographs, sew-on patches with Sasquatch figures on them, and audio cassettes of interviews and presentations from the Sasquatch conference.
Sankofa: African Routes, Canadian Roots
Fait partie de Nuno Porto fonds
Fait partie de William McLennan (MOA Curator) fonds
Subseries contains one file that consists of images of Buddhist monks creating a sand painting in the great hall of MOA.
Fait partie de Carol Mayer fonds
Fait partie de Carol Mayer fonds
Fait partie de William McLennan (MOA Curator) fonds
Subseries contains images of a carved spindle whorl.
Safar/Voyage: Contemporary Works by Arab, Iranian and Turkish Artists
Fait partie de David Cunningham fonds
Sans titre
Safar/Voyage: Contemporary Works by Arab, Iranian and Turkish Artists
Fait partie de Skooker Broome fonds
Subseries consists of records relating to the design of the Safar/Voyage exhibit, on display at the Museum of Anthropology April 20 - September 15, 2013.
Sacred Objects & Holy Presence
Fait partie de Carol Mayer fonds
Fait partie de William McLennan (MOA Curator) fonds
Subseries contains images showing the exhibit.
Fait partie de Marjorie Halpin (MOA Curator) fonds
Sub-series consists of textual and graphic records related to the public exhibition of drawings and poems by Nuu-Chah-nulth artist, Ron Hamilton, which depict the cosmology of the First Nations people. Records include an artists’ biography, notes on exhibit planning, loan forms, and a copy of the exhibit comment book. Also included are photographs from the exhibit and of Hamilton’s drawings, recordings of First Nations gatherings taped at the exhibit, and sound recordings of comments by Hamilton on his work.
Fait partie de Carol Mayer fonds
Robes of power: Totem poles on cloth
Fait partie de William McLennan (MOA Curator) fonds
Subseries contain the images used in the booklet Robes of Power: Totem Poles on Cloth written by Doreen Jensen and Polly Sargent, as well as a copy of the booklet. In addition, there are images of a children's workshop that took place during the exhibit at the Museum of Anthropology.
Robert Davidson Pepsi-Co Commission
Fait partie de William McLennan (MOA Curator) fonds
Subseries consists of material created by Jacquie Gijssen and Karen Duffek, two MOA employees who were in charge of McLennan’s office while he was working on Expo ’86. During this time, they visited Robert Davidson at his studio in Semiahoo Village where he was carving three totem poles for the Pepsi Cola Sculpture Garden. Karen interviewed Robert about the work on two occasions and Jacquie photographed the work on the pole over the year of 1986. The series consists of interview notes by Karen and negatives and slides by Jacquie.
Robert Davidson: Haida Printmaker
Fait partie de Hilary Stewart fonds
Subseries consist of material related to the production of Stewart's book Robert Davidson: Haida Printmaker, published in 1979.
Fait partie de Marjorie Halpin (MOA Curator) fonds
Sub-series consists of textual records from the one-man show of Northwest Coast First Nations artist Robert Davidson. Records include exhibit correspondence, newspaper articles and a copy of the Canadian Conservation Institute Journal (vol. 3, 1978) that contains an article by Davidson.