- 100-3-E
- Sub-séries
- 2001
Parte deCarol Mayer fonds
4 resultados con objetos digitales Muestra los resultados con objetos digitales
Parte deCarol Mayer fonds
Willy White: “My Ancestors Are Still Dancing”
Parte deKaren Duffek fonds
The records in this sub-series relate to Willy White’s 2002 exhibition on Chilkat and Raven’s Tail weaving, My Ancestors Are Still Laughing. During his exhibition at the Museum of Anthropology, Willy White began weaving a gwishalaayt, or Chilkat robe. The weaving was later finished at his home in Prince Rupert, British Columbia. In 2004, a “taking off of the loom” ceremony and feast was held to celebrate the completion of the gwishalaayt. Though Elizabeth Johnson was the curator for this exhibition, Duffek worked closely with her, and the files relate to Duffek’s involvement with in the process. File contents relate to exhibition research and planning, draft exhibit texts, correspondences, transcripts of interview with the weavers, and recordings of the final ceremony.
Wisdom of the Elders (by Ruth Kirk)
Parte deHilary Stewart fonds
Subseries consists of material realted to illustrations done by Stewart for the book Wisdom of the elders: Native traditions on the Northwest Coast by Ruth Kirk.
Without Masks: Contemporary Afro-Cuban Art
Parte deDavid Cunningham fonds
Sin título
Without Masks: Contemporary Afro-Cuban Art
Parte deSkooker Broome fonds
Subseries consists of records related to the graphic design for the Without Masks exhibit, on display at the Museum of Anthropology May 2 - November 2, 2014. The exhibit was curated by Cuban poet, art critic and curator Orlando Hernández.
Parte deElizabeth Johnson fonds
Subseries consists of records relating to the Wong Toa Anniversary exhibit hosted by the Jin Wah Sing Musical Association. The records in this file consist of two photographs, and notes.
Sin título
Parte deCarol Mayer fonds
World indigenous education conference
Subseries contains one file containing a photograph showing First Nations community members walking down the ramp in the great hall at the Museum of Anthropology.
Parte deCarol Mayer fonds
Written in the Earth: Coast Salish Art
Parte deDarrin Morrison fonds
This exhibit presents examples of antler, stone and wood carvings from archaeological sites in Coast Salish territory on the south coast of BC, as well as contemporary works by First Nations artists.
Subseries consists of several files documenting a number of projects McLennan was part of at the Vancouver International Airport (YVR) over several years. Files include publicity, correspondence, artists’ statements, photographs, artists’ renderings, the YVR Art Foundation and designs for YVR regarding the creation and installation of Northwest Coast art at the International Airport. Art pieces specifically mentioned include Bill Reid’s The Spirit of Haida Gwaii, the Jade Canoe, Susan Point’s Flight Spindle Whorl and Richard Hunt, Dempsey Bob and Robert Davidson’s pieces for the Supernatural World.