- 92-2-a034559
- Item
- [ca. 1965 - 1970]
Parte de Virginia Kehoe fonds
Image depicts a portion of a wood relief carving that focuses on the eyes and nose.
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Parte de Virginia Kehoe fonds
Image depicts a portion of a wood relief carving that focuses on the eyes and nose.
Wood relief carving, from a distance
Parte de Virginia Kehoe fonds
Image depicts a wood relief carving that has been partially completed. This carving appears to be stored inside, and a totem pole rests behind it.
Parte de Virginia Kehoe fonds
Image depicts a portion of a wood relief carving that may represent a wing. An extension cord hangs in the photo and a woodworking tool is visible in the top left portion of the print.
Parte de Virginia Kehoe fonds
Image depicts a small carving that may represent an eagle.
Parte de Virginia Kehoe fonds
Image depicts a whale mask, painted in black, white and red. Photograph has been taken inside next to a door or window. Mask may have been found in Quatsino, on the northern portion of Vancouver Island.
Parte de Virginia Kehoe fonds
Image depicts a cedar carving of a human head.
Parte de Virginia Kehoe fonds
Image depicts a carved head. The eyes on the face are shut; the mouth is open in an o-shape. This view depicts the entire face.
Parte de Virginia Kehoe fonds
Image depicts a side view of a cod fish mask. The mask features a very prominent red tongue.
Ya-q-wees sea monster carving, side view
Parte de Virginia Kehoe fonds
Image depicts a side view of a head carving. The carving sits on a tray.
Arts of Ronen mask, frontal view
Parte de Virginia Kehoe fonds
Image depicts a frontal view of a mask identified as the Arts of Ronen mask.
Parte de Virginia Kehoe fonds
Image depicts a frontal view of a frog mask.
Parte de Virginia Kehoe fonds
Image depicts a side view of a killer whale mask. A distinguishing feature is the long fin that rises from the top of the mask.
Parte de Virginia Kehoe fonds
Image depicts a painting filled with ovoid shapes that seem to comprise at least one creature. Painting is done in black on white with highlights of red.
Habitat creation myth painting
Parte de Virginia Kehoe fonds
Image depicts a painting of the myth of habitat creation. Painting is done in black and red on white.
Parte de Virginia Kehoe fonds
Image depicts a painting of D'zonoqua, done in red and black on white. Additional notes indicate this work was painted by Douglas Cranmer in 1964 or 1965.
Parte de Virginia Kehoe fonds
Image depicts a painting of a sea eagle inside an ovoid form. Additional notes indicate this painting was made by Douglas Cranmer in 1964 or 1965.
House Frontal Totem Pole, UBC Totem Park
Parte de Anthony Carter fonds
Image of a pole carved as the frontal pole for the front of the Haida house, at UBC, for display in Totem Park. Moved to the new Museum of Anthropology grounds in 1978. Pole was removed from the Haida House in 2000-09 and placed in a greenhouse tent for conservation treatment and drying. A new pole was raised outside to replace it (see MOA object Nb1.752). Jim Hart, with Reg Davidson, Michael Nicoll and Tyler Crosby, performed a small informal ceremony for the re-raising of the pole on Oct. 30, 2002 (with Martine Reid in attendance). Pole was then re-raised in the Great Hall of the Museum on Oct. 31, 2002.
Sem título
Parte de George Szanto fonds
Item is a colour image of the construction of the Haida house at the Haida Village at Totem Park at the University of British Columbia (UBC). The Memorial Pole appears on the left; disassembled Wasgo appears in the centre; the House frontal post appears in the centre; the Double Mortuary Pole appears on the right. A woman and young child appear in the left foreground
Haida house and mortuary house being reassembled
Parte de MOA General Media collection
Image shows the Haida and mortuary houses while they were being reassembled during relocation from Totem Park.
Museum grounds facing future site of Haida house
Parte de MOA General Media collection
A photograph of the museum grounds facing the future site of the Haida house and Mortuary house. An unidentified man stands in the foreground.