- 51-01-28-a039401
- Item
- 1955 or 1956
Parte de Harry B. Hawthorn fonds
Image of two unidentified totem poles. The poles are short and beginning to decay.
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Parte de Harry B. Hawthorn fonds
Image of two unidentified totem poles. The poles are short and beginning to decay.
Two poles in village, with mountains in background
Parte de Harry B. Hawthorn fonds
Parte de Stanley E. Read fonds
Image depicts two poles standing in an open area. The front pole features a human-like creature on visible portion. The back pole also includes a human figure at the bottom with an owl on top. The figures on the bottom may be crest figures (Leading In or Halfway Out) or a Man of the Wild. Read's note suggests that one of these may be a Pole of Hrkyadet at Kispiox.
Two totem poles carved by Mungo Martin in Totem Park at UBC
Parte de MOA General Media collection
This image shows two totem poles carved by Mungo Martin. They are standing in Totem Park on UBC.
Two totem poles carved by Mungo Martin in Totem Park at UBC
Parte de MOA General Media collection
This image shows two totem poles carved by Mungo Martin. They are standing in Totem Park on UBC.
Parte de Thomas and Mildred Laurie collection
Image depicts two totem poles in an open area. Pole on image left resembles a pole carved by Tony Hunt, Calvin Hunt, Peter Knox, and John Livingston in 1976 as a memorial for Johnathan Hunt. It features Raven, Man Holding a Copper, Sun Holding a Copper, and Killer Whale.
Two totem poles in front of two-story house
Two totem poles in front of a two-story, western-style house.
Parte de Anthony Carter fonds
Image of two totem poles in the snow.
Sem título
Parte de Anthony Carter fonds
Image of two totem poles with snow.
Sem título
Parte de Anthony Carter fonds
Image of two totem poles and a few houses in an unidentified village, with mountains nearby.
Sem título
Two totem poles on a truck trailer
Parte de MOA General Media collection
Two totem poles lie on a truck trailer as they are being moved from Totem Park to the new Museum of Anthropology building. The pole on the viewer's left was carved by George Hunt Sr. The pole is now part of the museum's collection. This pole was originally carved for the Edward S. Curtis film "In the Land of the War Canoes" which was originally titled "In the Land of the Head Hunters." The pole was repaired and re-painted by carvers Ellen Neel in 1949 and Mungo Martin in 1950-51. It stood at Totem Park, UBC Campus until it was re-located to the Museum's Great Hall in 1976.
The pole on the viewer's right was carved by Mungo Martin and was later restored by him in 1950-51.
Two totem poles standing in Totem Park
Parte de MOA General Media collection
Two totem poles standing in Totem Park. The pole on the viewer's right was carved by George Hunt Sr. The pole is now part of the museum's collection.
This pole was originally carved for the Edward S. Curtis film "In the Land of the War Canoes" which was originally titled "In the Land of the Head Hunters." The pole was repaired and re-painted by carvers Ellen Neel in 1949 and Mungo Martin in 1950-51. It stood at Totem Park, UBC Campus until it was re-located to the Museum's Great Hall in 1976.
Parte de Anthony Carter fonds
Image of a close-up of a totem pole at the Museum of Anthropology at UBC
Sem título
Parte de Anthony Carter fonds
Image of a close-up image of a totem pole at the Museum of Anthropology at UBC
Sem título
Parte de Anthony Carter fonds
Image of a close-up of a totem pole at the Museum of Anthropology at UBC
Sem título
Parte de Anthony Carter fonds
Image of a close-up image of a totem pole at the Museum of Anthropology at UBC
Sem título
Parte de Anthony Carter fonds
Image of a close-up image of a totem pole at the Museum of Anthropology at UBC
Sem título
Parte de Anthony Carter fonds
Image of a close-up image of a totem pole at the Museum of Anthropology at UBC
Sem título
Parte de Anthony Carter fonds
Image of a totem pole at the Museum of Anthropology at UBC
Sem título
Unfinished canoe, closeup view
Parte de Virginia Kehoe fonds
Image depicts a partially completed canoe, viewed from close up so that the grain of the wood is visible.