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Haida Gwaii
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R. Davidson [Jr.] pole raising, Masset Q.C.I.

Image taken at a pole raising ceremony in Masset. The pole was carved by Robert Davidson, Jr. This image shows the crowd gathered for the pole raising. The most prominent person in the photograph is a woman wearing what appears to be a ceremonial dress, holding up a long stick.

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R. Davidson [Jr.] pole raising, Masset Q.C.I.

Image taken at a pole raising ceremony in Masset. The pole was carved by Robert Davidson, Jr. This image is an aerial view of the pole raising area and crowd. The pole is still on the ground, with a number of people next to the pull. They appear to be pushing the pole toward the hole in the ground in which it will stand.

Sin título

R. Davidson [Jr.] pole raising, Masset Q.C.I.

Image taken at a pole raising ceremony in Masset. The pole was carved by Robert Davidson, Jr. This image shows the pole still on its side, propped up on logs on the ground. A number of individuals are standing around the base of the pole, possibly positioning it to go into the hole in the ground where the pole will stand. A church is in the background.

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R. Davidson [Jr.] pole raising, Masset Q.C.I.

Image taken at a pole raising ceremony in Masset. The pole was carved by Robert Davidson, Jr. This image shows a crowd gathered for the event, including a group of three older men seated in the foreground, in what appears to be ceremonial dress.

Sin título

R. Davidson [Jr.] pole raising, Masset Q.C.I.

Image taken at a pole raising ceremony in Masset. The pole was carved by Robert Davidson, Jr. This image is an aerial shot showing the totem pole lying on the ground near the hole in the ground into which it will be propped. Ropes are attached to the pole to raise it, and the process of moving the pole into a whole in the ground has been started.

Sin título

R. Davidson [Jr.] pole raising, Masset Q.C.I.

Image taken at a pole raising ceremony in Masset. The pole was carved by Robert Davidson, Jr. This image is an aerial shot showing the totem pole lying on the ground near the hole in the ground into which it will be propped. Ropes are attached to the pole to raise it, and the process of moving the pole into a whole in the ground has been started.

Sin título

R. Davidson [Jr.] pole raising, Masset Q.C.I.

Image taken at a pole raising ceremony in Masset. The pole was carved by Robert Davidson, Jr. This image is an aerial shot showing the totem pole lying on the ground near the hole in the ground into which it will be propped. Ropes are attached to the pole to raise it, and the process of moving the pole into a whole in the ground has been started.

Sin título

R. Davidson [Jr.] pole raising, Masset Q.C.I.

Image taken at a pole raising ceremony in Masset. The pole was carved by Robert Davidson, Jr. This image shows the lower part of the totem pole after it has been placed into a hole in the ground where it will stand. A number of individuals are shoveling dirt around the base to hold it in place.

Sin título

R. Davidson [Jr.] pole raising, Masset Q.C.I.

Image taken at a pole raising ceremony in Masset. The pole was carved by Robert Davidson, Jr. This image shows the pole while it is still lying on the ground. A crowd is gathered around it, and a few children are sitting on or leaning against the pole.

Sin título

Nootka/Currie

File consists of slides depicting First Nations chiefs and elders, Carter's wife Minn Sjolseth with August Jacks, Johnny Seaweed, miscellaneous images from Mount Currie/Lil'wat First Nation, and a photograph labeled "Potlatch Masset 60s".

Village Island QCI 1973 Totems (Mamalilikulla)

File consists of one slide labeled Village Island 1973, and several other unlabeled slides depicting totem poles. The slides seem to have been taken at the same time as those used in "From History's Locker."

Joan Goodall collection

  • 57
  • Colección
  • 1926 - 1978

This collection consists of postcards and photographs collected by Joan Goodall. Areas depicted include Old Massett, Hazelton, Kitwangar, Port Simpson and other areas. Most images have totem poles or other massive carvings depicted.

ITEMS IN COLLECTION:
“The Museum of Northern British Columbia with the wolf totem and two Haida poles”
– 1960 – 1 postcard : colour ; 8.5 x 14 cm.

“From Joan Goodall Aug/78 – Fertility symbol used on island of [Tan] during yearly festival on island of [Tanna]” – 1978 - 1 photograph : colour ; 12 x 9 cm.

“623” [people in front of cemetery] – [19-] –1 photograph : b&w ; 14 x 9 cm.

“623” [totem pole and dead tree] – [19-] – 1 photograph : b&w ; 14 x 9 cm.

“713” [wooden sidewalk with totem poles] – [19-] - 1 photograph : b&w ; 9 x 14 cm.

“713” [view of a wooden fence with a tree flanked by matching totem poles] – [19-] – 1 photograph : b&w ; 9 x 14 cm.

“The Lion Totem of Kitwangar, BC” – [19-] – 1 postcard : b&w ; 14 x 9 cm.

“Port Simpson, Totems” – [19-] – 1 postcard : b&w ; 14 x 9 cm.

“Alaska Indian Carvings” – [19-] – 1 postcard: b&w ; 9 x 14 cm.

“Indian Totem, Hazleton, BC” – [19-] – 1 postcard : b&w ; 9 x 14 cm.

“Indian Totems, Old Massett, BC” – [19-] – 1 postcard : b&w ; 9 x 14 cm.

“1926” [two totem poles in front of a wooden house] - 1926- 1 photograph : b&w ; 11 x 7 cm.

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Charles Edenshaw in prov. museum

Image is portrait of Charles Edenshaw leaning on frontal house post in Skidegate, Haida Gwaii, B. C. Inscribed on the image is "Indian Totem Poles at Skidegate Q. C. I." Handwritten inscription below the image reads "R. Maynard, Artist". Handwritten inscription on the verso reads "Charles Edenshaw in prov. museum." Printed on the verso Is the photographer information in the inscription "R. MAYNARD, PHOTOGRAPHIC ARTIST and Dealer in All Kinds of Photographic Materials. Stereoscopic and Large Views of British Columbia and Vancouver Island for Sale. Cor. Douglas & Johnson Streets, Victoria, B. C."

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