- 1-1-RR
- Sous-série organique
- [19-?]
Fait partie de William McLennan (MOA Curator) fonds
Subseries contains images of a carved spindle whorl.
4 résultats avec objets numériques Afficher les résultats avec des objets numériques
Fait partie de William McLennan (MOA Curator) fonds
Subseries contains images of a carved spindle whorl.
The world of spirits: Igbo masks
Fait partie de William McLennan (MOA Curator) fonds
Subseries contains images of objects and the exhibit.
Fait partie de William McLennan (MOA Curator) fonds
Subseries contains images of paintings by John Laford.
Exhibition of items from Chinese Cultural Centre at MOA
Fait partie de William McLennan (MOA Curator) fonds
Subseries consists of images of various items from the Chinese Cultural Centre exhibition.
Where are the children? Healing the legacy
Fait partie de William McLennan (MOA Curator) fonds
Subseries consists of photographic slides of the Where are the Children? Healing the Legacy exhibition held from June to December of 2002.
Fait partie de William McLennan (MOA Curator) fonds
Subseries contains records related to the <i>Where are the Children?</i> exhibit held by MOA. Curated by Jeff Thomas, and circulated by the Aboriginal Healing Foundation in Ottawa, this exhibition presented a series of historical photographs documenting the history of residential schools in Canada. The records include correspondence related to exhibit loans, temporary exhibit preliminary and finalized designs and a reference manual for setting up the exhibition.
Tom and Francis Richardson Collection
Fait partie de William McLennan (MOA Curator) fonds
Subseries contains a timeline developed by McLennan regarding a collection of Northwest coast carvings, baskets, blankets and tools collected and received by the museum through a bequest from the late Tom and Frances Richardson in preparation for an exhibit.
Fait partie de William McLennan (MOA Curator) fonds
Subseries consists of records relating to the <i>Through My Eyes</i> exhibit held at the Museum of Vancouver. The exhibit is a collaborative effort curated by 27 First Nations people of different Northwest Coast communities allowing them to “present their personal perspective” of their culture and its objects. McLennan was involved through managing the development, production and implementation of this collaborative effort. Records include photographs and slides of potential exhibit artifacts, media reviews, student paper reviews, exhibit project statements, transcripts of interviews done with First Nations artists, correspondence, consent forms for interviews and audio cassettes of the taped interviews which detail McLennan discussing various pieces of First Nations art with several artists.
Tsimshian treasures from the Dundas collection
Fait partie de William McLennan (MOA Curator) fonds
This subseries consists of records related to the traveling exhibit that came to MOA called <i>Treasures of the Tsimshian from the Dundas Collection.</i> Records include draft correspondence, and draft exhibit photos and text (including case labels).
Fait partie de William McLennan (MOA Curator) fonds
Subseries contains one file that consists of images of Buddhist monks creating a sand painting in the great hall of MOA.
Bill Reid: Beyond the essential form
Fait partie de William McLennan (MOA Curator) fonds
Subseries contains the booklet produced as part of the Museum Notes program at the Museum of Anthropology titled Bill Reid: Beyond the Essential Form written by Karen Duffek.
Fait partie de William McLennan (MOA Curator) fonds
This subseries contains images shown in the exhibit <i>Anonymous Beauty</i> curated by Miriam Clavir. This exhibit was on the Japanese handmade paper collection housed at MOA. In addition are 4 transparencies of the exhibit text.
Fait partie de William McLennan (MOA Curator) fonds
This subseries contains images shown in the exhibit The Third Eye curated by Audrey Mackay Shane.
Native Youth Programme/ Native Youth Project (NYP)
Fait partie de Public Programming and Education fonds
Museum of Anthropology Event Slides 1986-1987
Fait partie de Public Programming and Education fonds
Photographs Slides Negatives 1998-1999
Fait partie de Public Programming and Education fonds
Robert Davidson: “The Abstract Edge”
Fait partie de Karen Duffek fonds
The records in this sub-series relate to the development and implementation of the Robert Davidson exhibition The Abstract Edge at MOA. The Abstract Edge opened at the Museum of Anthropology on June 22nd, 2004 through January 30th 2005. The Abstract Edge then went on a cross-Canadian tour from 2005-2007, which was sponsored by the National Gallery of Canada.
Files consist of exhibition planning notes, research, reporting, grant applications, contracts, correspondences, event planning, articles and publications, and transcripts. Additionally, some files in the series also relate to the publication for the exhibition which Duffek wrote in conjunction with Robert Houle. Most of the photographic transparencies were taken for publication images. Other files relate to Robert Davidson in general, such as transcripts of interviews, public lectures, and past exhibitions.
Fait partie de Public Relations and Communications Office fonds
Museum of Anthropology attendance files
Fait partie de Public Relations and Communications Office fonds
Tourism related promotions files
Fait partie de Public Relations and Communications Office fonds