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Image depicts a pole that has been partially carved. A carver, probably Doug Cranmer, uses an adze.

Image depicts Doug Cranmer carving a nearly completed pole. Visible figures include Thunderbird and Bear; this may be the St. Catherines, Ontario Centennial Confederation pole, carved in 1967.

Image depicts a carver, possibly Godfrey Hunt, carving on a totem pole. He is possibly using a file.

Image depicts Doug Cranmer in the early stages of carving a totem pole.

Image depicts Douglas Cranmer in the early stages of carving a totem pole. The pole is outside. He is preparing to use a chain saw to make the early cuts to a pole. Markings are visible, showing where he will cut.

Image depicts Godfrey Hunt carving a totem pole. The pole is outside. He is using a knife to cut a pre-marked design on the pole.

Image depicts Douglas Cranmer in the process of carving a pole. The early cuts are made with a chain saw.

Image depicts Doug Cramner carving a totem pole.

Image depicts Douglas Cranmer in the early stages of carving a totem pole. The pole is outside.

Image depicts a carver, possibly Douglas Cranmer, working inside on what may be a totem pole. The carving is still in the early stages and it is difficult to tell what will be depicted.

Image depicts Douglas Cranmer in the early stages of carving a totem pole. The pole is outside. A chain saw is visible on the ground.

Image depicts Doug Cranmer taking a break from carving. He sits on a wooden bench and his chain saw rests on the ground in front of him.

Photograph of two men carving a set of house posts that will become part of the bighouse in Alert Bay, BC. These posts were carved and raised before the rest of the structure.

Image depicts a man, probably Douglas Cranmer, in the early stages of carving the St. Catherines, Ontario totem pole. The pole is outside. He is preparing to use a chain saw to make the early cuts to a pole. Markings are visible, showing where he will cut.

Image depicts Douglas Cranmer in the early stages of carving the St. Catherines totem pole. The pole is outside.. He is using an adze to make early cuts on a pole.

Photograph of a set of totem poles that will become part of the longhouse in Alert Bay, BC. These poles were carved and raised before the rest of the structure.

Photograph of three men carving totem poles that would become part of the bighouse in Alert Bay, BC.

Two poles in mid-ground mixed with cross-bearing grave marker at proper right foreground

Image depicts a totem pole in Masset, Haida Gwaii, B. C. Inscribed on the image is "totem Poles, Massett [sic] Q. C. I." Handwritten inscription below the image reads "R. Maynard, Artist". Handwritten inscription on the verso reads "Charles Edenshaw in prov. museum." Printed on the verso Is the photographer information in the inscription "R. MAYNARD, PHOTOGRAPHIC ARTIST and Dealer in All Kinds of Photographic Materials. Stereoscopic and Large Views of British Columbia and Vancouver Island for Sale. Cor. Douglas & Johnson Streets, Victoria, B. C."

Image is portrait of Charles Edenshaw leaning on frontal house post in Skidegate, Haida Gwaii, B. C. Inscribed on the image is "Indian Totem Poles at Skidegate Q. C. I." Handwritten inscription below the image reads "R. Maynard, Artist". Handwritten inscription on the verso reads "Charles Edenshaw in prov. museum." Printed on the verso Is the photographer information in the inscription "R. MAYNARD, PHOTOGRAPHIC ARTIST and Dealer in All Kinds of Photographic Materials. Stereoscopic and Large Views of British Columbia and Vancouver Island for Sale. Cor. Douglas & Johnson Streets, Victoria, B. C."