- 51-01-35-a039844
- Item
- 1957
Parte deHarry B. Hawthorn fonds
129 resultados con objetos digitales Muestra los resultados con objetos digitales
Parte deHarry B. Hawthorn fonds
Parte deHarry B. Hawthorn fonds
Image of fields, hills and dirt road in the Nicola Valley region of BC.
New pole in Old Massett, Robt. Davidson, Massett, Aug. 69
Parte deHarry B. Hawthorn fonds
Image of a totem pole in Massett, Haida Gwaii. The pole was carved by Robert Davidson, and is seen just after it was raised. A crowd is still gathered for the pole raising ceremony.
Parte deHarry B. Hawthorn fonds
Image of Douglas Lake, in the Nicola Valley region of British Columbia.
Parte deHarry B. Hawthorn fonds
Image of a section of a totem pole, possibly a pole carved by Robert Davison for display in Montreal.
Parte deHarry B. Hawthorn fonds
Image of a section of a totem pole, possibly a pole carved by Robert Davison for display in Montreal.
Parte deHarry B. Hawthorn fonds
Image of a section of a totem pole, possibly a pole carved by Robert Davison for display in Montreal.
Parte deHarry B. Hawthorn fonds
Image of a section of a totem pole, possibly a pole carved by Robert Davison for display in Montreal.
Parte deHarry B. Hawthorn fonds
Image of ceremonial clothing on display in Montreal, possibly at the Man and His World exhibit at the Expo 67 site.
Montreal 1969 [carvings on display]
Parte deHarry B. Hawthorn fonds
Image of carvings, likely on display at the Man and His World exhibition at the site of the Expo 67 in Montreal.
Parte deHarry B. Hawthorn fonds
Image of flags at the Expo 67 site in Montreal.
Parte deHarry B. Hawthorn fonds
Image of carvings on display in Montreal, possibly at the Man and His World exhibit at the Expo 67 site.
May 25, 1948, Somass River - Sports Day
Parte deHarry B. Hawthorn fonds
Image of a crowd gathered on the shore and in boats on the Somass River, Vancouver Island, for sports day.
Massive Carving Gallery, Montreal
Parte deHarry B. Hawthorn fonds
Image of carvings, likely on display at the Man and His World exhibition at the site of the Expo 67 in Montreal.
Parte deHarry B. Hawthorn fonds
Majorie Halpin - Alert Bay Memorial Mungo Martin
Parte deHarry B. Hawthorn fonds
File consists of images of Alert Bay, BC and the raising of a memorial pole for Mungo Martin in 1970. Based on annotations on the slides, they were likely taken by Marjorie Halpin, who was a curator at the Museum of Anthropology.
Log rolling, Sports day, Somass [River] 1948
Parte deHarry B. Hawthorn fonds
Image of two men logrolling in the Somass River (Vancouver Island). A number of boats with people on them are also in the river.
Last pole at Aiyansh on Nass [River]
Parte deHarry B. Hawthorn fonds
Pole is largely uncarved, except for a bird perched on top. Mountains are visible in the background.
Parte deHarry B. Hawthorn fonds
House posts and beam, Quatsino, BC
Parte deHarry B. Hawthorn fonds
Image of the houseposts and beam of what once was a longhouse in Quatsino, BC, on the north end of Vancouver Island. These posts appear to be the same as posts now houses at the Museum of Anthropology (museum item number A50009 a-c). The poles are described on the museum's catalogue: "Two upright posts and crossbeam that were part of a large interior house frame (also see records d-f and g-h). The uprights depict sea lions carved in high relief and painted (parts a-b). Their heads are equal size to their bodies. Both part a and b have an eagle in profile within the sea lions front flippers. Part a has a top portion of a face painted on the back of its head that is part of a sisiutl that runs down the seal lions back and into its hind flipper with a serpent's head in each. The cross-beam (part c) is painted and carved as a supernatural double-headed sea lion. All parts are painted black and white with Northwest Coast stylized forms... The Klix'ken (sea lion) House was commissioned by Tza'kyius around 1906, and was the last old style house erected in Xwatis. The beams and figures stood as part of a house frame, and acted as structural supports. Figures represented on house frames were supernatural beings which the family living in the house had the right, through their history and origins, to represent."