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Sub-series consists of textual records related to Dr. Halpin’s participation on a number of committees while working at the museum. General committee records include meeting minutes, reports, and correspondence on the development of ethics and policies for the museum and new curricula in the Anthropology department. Records from the Research and Teaching Committee include budget reports, grant application forms, administrative records, and proposal reports for a new MA degree in Advanced Museum and Curatorial Studies.

Sub-series consists of textual records, including general research and planning files, permission forms, interviews and biographic information used by Dr. Halpin to develop a number of CD-Rom projects on native artists. The records also include a print out of the “Button Robes” cd-rom project on first nations form of traditional dress and the iconography behind them, and photographs, slides, compact disks, videos, and tapes from the Dorothy Grant project.

Sub-series consists of textual records from the project coordinated by Dr. Halpin after numerous requests from first nations communities for training in multimedia technology. Includes correspondence, a draft copy of the project proposal, and the application form for Arts Apprentice funding from the Department of Canadian Heritage.

Sub-series consists of textual records including correspondence, reports and memos containing background information and exhibition ideas for the new exhibition space, Gallery III.

Sub-series consists of textual records related research on and the roundtable discussion on Inuit Art. Includes correspondence regarding the schedule and program of the meeting, a list of attendees, and information on specific artifacts.

Sub-series consists of textual and graphic records related to the public exhibition of drawings and poems by Nuu-Chah-nulth artist, Ron Hamilton, which depict the cosmology of the First Nations people. Records include an artists’ biography, notes on exhibit planning, loan forms, and a copy of the exhibit comment book. Also included are photographs from the exhibit and of Hamilton’s drawings, recordings of First Nations gatherings taped at the exhibit, and sound recordings of comments by Hamilton on his work.

Sub-series consists of textual records including research done by Dr. Halpin on various First Nations artisans some of whom are (later) featured in exhibitions. Records include biographies, correspondence, newspaper clippings, magazine articles and exhibit brochures on Bill Reid, Laura Wee Lay Laq, Roy Vickers, and Art Thompson.

Sub-series consists of textual records and slides of the Joe David Exhibit, a one man show of his work as a Haida artist. Records include an artist biography, exhibit planning notes, correspondence regarding the purchase of Joe David prints, a list of MOA objects by Joe David and newspaper articles. Also included is one cassette tape of an interview with Joe David.

Sub-series consists of textual records including letters sent by and received by Dr. Halpin on various subjects.

Sub-series consists of textual records, photographs and an interview of Norman Tait, a native artist of the region who held a public barbecue at the Museum of Anthropology to celebrate the completion of two carved cedar canoes. Included is biographic information about Tait, a press statement, and a public service announcement for the BBQ.

Sub-series consists of textual records including grant applications for specific projects by Halpin and for operational funds for the museum.

Sub-series consists of textual records including articles, student papers, and photographs accumulated in order to create a source book for Anthropology 432 taught by Dr. Halpin. It also consists of course outlines and bibliographies for Anthropology 431, which was also taught by Dr. Halpin.

Sub-series consists of textual records of the Acquisition Committee and items acquired for the museum. Records include minutes from Acquisition Committee meetings, database printouts of items acquired from Northwest Coast artists between 1977-1997, and the transcribed interview with Coast Salish artist Susan Point by Karen Duffek in 1985.

Sub-series consists of textual records including grant applications, a report on the 5- year plan for the museum, policies on museum access, photography, professional guidelines and acquisitions, and the MOA Review, including reports and submissions to the review committee.

Sub-series consists of textual records accumulated during research and proposals for exhibits by Dr. Halpin and students. Records include NWC Mechanical Masks and Puppetry, Great Canoes: The Photographs of David Neel, and J. Shadbolt and Northwest Coast Indian Art. Research files include planning and grant applications for the Diesing exhibit and West Coast Screens.

Sub-series consists of textual records including documentation on the meaning behind the carved Museum of Anthropology doors and the ‘Ksan artists who worked on the project.

Sub-series consists of textual records including correspondence regarding and general research notes on totem poles, and specific research on the poles of Stanley Park and the artisans who worked on them. Records also include biographies on the artisans who carved the museum totem poles and correspondence and the agreement between the Museum of Anthropology and the Royal British Columbia Museum to remove totem poles from Kitwancool in 1958. Sub-series also contains slides of totem poles, three video tapes, one photograph and one cassette tape.

Sub-series consists of textual records related to the creation of labels for various objects on exhibit in the Museum of Anthropology. Included are correspondence, memos, research, background notes, and schematic floor plans for the placement of labels for the Great Hall and objects on the ramp at the museum.

Sub-series consists of textual records including Dr. Halpin’s personal notes on a proposal put forward to expand the department curriculum to offer a museology program.

Sub-series consists of textual records of the two-man show of art by Lyle Wilson and Doug Cranmer, two native artists of the region. Includes biographies of the artists, the opening speech from the exhibit, a news release and a museum brochure.