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Sub-series consists of textual records related research on and the roundtable discussion on Inuit Art. Includes correspondence regarding the schedule and program of the meeting, a list of attendees, and information on specific artifacts.

Sub-series consists of textual records from the project coordinated by Dr. Halpin after numerous requests from first nations communities for training in multimedia technology. Includes correspondence, a draft copy of the project proposal, and the application form for Arts Apprentice funding from the Department of Canadian Heritage.

Sub-series consists of textual records including articles, student papers, and photographs accumulated in order to create a source book for Anthropology 432 taught by Dr. Halpin. It also consists of course outlines and bibliographies for Anthropology 431, which was also taught by Dr. Halpin.

Sub-series consists of textual and graphic records related to the public exhibition of drawings and poems by Nuu-Chah-nulth artist, Ron Hamilton, which depict the cosmology of the First Nations people. Records include an artists’ biography, notes on exhibit planning, loan forms, and a copy of the exhibit comment book. Also included are photographs from the exhibit and of Hamilton’s drawings, recordings of First Nations gatherings taped at the exhibit, and sound recordings of comments by Hamilton on his work.

Sub-series consists of textual records on a student project “North West Coast First Nations Professional Women Artists”. Includes correspondence, consent forms, and grant funding applications.

Sub-series consists of textual records including descriptions and notes on the locations of films on native subjects. Film lists include items from the Museum of Anthropology, University of British Columbia Anthropology department, the Royal British Columbia Museum and the National Archives of Canada.

Sub-series consists of textual records including the transcript for the guided tour of the museum collection given by Dr. Halpin, Dr. Michael Kew and Don Bain for staff, students, and volunteers from the Museum of Anthropology on April 13, 1993 and May 30, 1993.

Sub-series consists of textual records including correspondence, reports and memos containing background information and exhibition ideas for the new exhibition space, Gallery III.

Sub-series consists of textual records of the two-man show of art by Lyle Wilson and Doug Cranmer, two native artists of the region. Includes biographies of the artists, the opening speech from the exhibit, a news release and a museum brochure.

Sub-series consists of textual records and graphic images related to a project by Halpin and Ron Hamilton that attempted to document the lineage of a native community through photographs. Included are correspondence requesting the use of photographs, grant application forms, and photocopies of potential photographs for the project.

Sub-series consists of records from the photographic exhibition by David Neel, Kwagiutl, on First Nations elders in British Columbia. Records include newspaper reviews, correspondence, exhibit proposal and planning, and transcripts from interviews with chiefs and village elders. Also included are slides of portraits of chiefs and elders.

Sub-series consists of textual records related to attempts to receive funding to replicate West Coast artifacts for the Museum of Anthropology collection.

Sub-series consists of textual records for the West Coast art exhibit organized by Ron Hamilton and Marjorie Halpin. Records include Hamilton’s biography, exhibit correspondence, project proposal and exhibit planning. Also included is a transcript from a taped interview of Ron Hamilton by Karen Duffek in 1989.

Sub-series consists of textual records from the exhibit “ Ouroboros” by Stephen Clark, and curated by Halpin. Records include correspondence between Halpin and Clark, letters received by Halpin, an exhibit pamphlet, a public relations release, newspaper articles on the exhibit, and a copy of the exhibit comment book.

Sub-series consists of textual records accumulated during research and proposals for exhibits by Dr. Halpin and students. Records include NWC Mechanical Masks and Puppetry, Great Canoes: The Photographs of David Neel, and J. Shadbolt and Northwest Coast Indian Art. Research files include planning and grant applications for the Diesing exhibit and West Coast Screens.

Sub-series consists of records related to “The Tent of Meeting”, a traveling exhibition of art and music sponsored by the Santa Fe Council of the Arts. Dr. Halpin was involved in discussions to bring the display to Vancouver for Expo ’86.

Sub-series consists of textual records from the Museum of Anthropology project supporting the construction of a long house in Seattle, Washington, by the Squamish native community. Includes correspondence, contract proposals, the proposed site plan, press releases, and newspaper articles.

Sub-series consists of textual records including the report by Lindsey Rivers titled “An Evaluation of the Museum of Anthropology Summer Internship Programme” which was submitted for Anthropology 431, Museum Principles and Techniques, April 1983.

Sub-series consists of textual records, including general research and planning files, permission forms, interviews and biographic information used by Dr. Halpin to develop a number of CD-Rom projects on native artists. The records also include a print out of the “Button Robes” cd-rom project on first nations form of traditional dress and the iconography behind them, and photographs, slides, compact disks, videos, and tapes from the Dorothy Grant project.

Sub-series consists of textual records including Dr. Halpin’s personal notes on a proposal put forward to expand the department curriculum to offer a museology program.