- 3-3-13-3-13-01-34
- Item
- 1980
Includes copy of the publication Learning Gitksan, by Vickie Jensen and J.V. Powell.
Kitwancool, Kitsegukla, and Kitwanga Indian Bands, 1980
Learning Gitksan : book 4, Western dialect
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Includes copy of the publication Learning Gitksan, by Vickie Jensen and J.V. Powell.
Kitwancool, Kitsegukla, and Kitwanga Indian Bands, 1980
Learning Gitksan : book 4, Western dialect
Includes copy of the publication Learning Gitksan, by Vickie Jensen and J.V. Powell.
Kitwancool, Kitsegukla, and Kitwanga Indian Bands, 1980
Learning Gitksan : book 3, Western dialect
Includes copy of the publication Learning Gitksan, by Vickie Jensen and J.V. Powell.
Kitwancool, Kitsegukla, and Kitwanga Indian Bands, 1980
Learning Gitksan : book 2, Western dialect
Includes copy of the publication Learning Gitksan, by Vickie Jensen and J.V. Powell.
Kitwancool, Kitsegukla, and Kitwanga Indian Bands, 1979
Learning Gitksan : book 1, Western dialect
Series consists of photographs documenting events in various communities throughout British Columbia and Washington State. These include community photographs in Mt. Currie; the Salish Linguistic Conference in Oman, Washington State; a Robert Davidson Pole Raising; coverage of NWC artifacts at the National Museum of Copenhagen in Denmark; coverage of 1992 Nuxalk Potlatch at Bella Coola for Canadian Museum of Civilization; and photographs of a Haida bentwood box.
Between working on language and education projects, Jensen was often hired by communities to document important events, such as pole-raisings, conferences and potlatches. This series consists of the photographs taken at those events.
Northwest Coast artists series
Series consists of photographs documenting Northwest Coast artists and their work throughout the 1970s and 1980s
Jensen first began to photograph works of art for Bud Mintz around 1973 when he was working for Langara College. Before he opened his gallery she would go to the College to photograph the jewellery and art he had for sale. Often the pieces had been purchased and he wanted to document what he had sold. Once he opened his gallery of Indigenous art in South Vancouver, Jensen would go to the gallery to take pictures.
Through her work with Bud Mintz Jensen met many Northwest coast artists, both Indigenous and non-Indigenous. As she developed relationships with many of these artists, she documented them and their work.
Some of the later photographs of artists were taken to accompany articles and other work that Jensen was doing at the time.
Item is a b&w negative of a photograph of people after log has been moved into the old UBC carving shed.
Three photos of button blanket are possibly one that Dorothy Grant was making—three images that follow may be her and Doreen Jensen (Gitxsan carver) on the right. I don’t remember who they are talking to.
Geographic Location: all photos at area around the old UBC Carving Shed
Item is a b&w negative of a photograph of people after log has been moved into the old UBC carving shed.
Three photos of button blanket are possibly one that Dorothy Grant was making—three images that follow may be her and Doreen Jensen (Gitxsan carver) on the right. I don’t remember who they are talking to.
Geographic Location: all photos at area around the old UBC Carving Shed
Item is a b&w negative of a photograph of people after log has been moved into the old UBC carving shed.
Three photos of button blanket are possibly one that Dorothy Grant was making—three images that follow may be her and Doreen Jensen (Gitxsan carver) on the right. I don’t remember who they are talking to.
Geographic Location: all photos at area around the old UBC Carving Shed
NormanTait’s Mischievous Man blanket
Item is a b&w negative of a photograph of Norman’s Mischievous Man blanket design.
NormanTait’s Mischievous Man blanket
Item is a b&w negative of a photograph of Norman’s Mischievous Man blanket design.
Norman Tait’s Mischievous Man blanket
Item is a b&w negative of a photograph of Norman’s Mischievous Man blanket design.
Norman Tait’s Mischievous Man blanket
Item is a b&w negative of a photograph of Norman’s Mischievous Man blanket.
Norman Tait’s Mischievous Man blanket.
Item is a b&w negative of a photograph Norman’s Mischievous Man blanket.
Crew loking at NormanTait’s Mischievous Man blanket
Item is a b&w negative of a photograph of crew looking at Norman’s button blanket. Info in text from WHERE THE PEOPLE GATHER or paperback TOTEM POLE CARVING pp. 34-37.)
Crew looking at NormanTait’s Mischievous Man blanket
Item is a b&w negative of a photograph of crew looking at Norman’s button blanket. Info in text from WHERE THE PEOPLE GATHER or paperback TOTEM POLE CARVING pp. 34-37.)
Crew looking at NormanTait’s Mischievous Man blanket
Item is a b&w negative of a photograph of crew looking at Norman’s button blanket. Info in text from WHERE THE PEOPLE GATHER or paperback TOTEM POLE CARVING pp. 34-37.)
Crew and log at the old UBC carving shed
Item is a b&w negative of a photograph of Wayne and Isaac inserting the plug so Norman can begin drawing. The textual info is in WHERE THE PEOPLE GATHER or paperback TOTEM POLE CARVING pp. 42-45.
Geographic Location: all photos at area around the old UBC Carving Shed
Crew and log at the old UBC carving shed
Item is a b&w negative of a photograph of Wayne and Isaac inserting the plug so Norman can begin drawing. The textual info is in WHERE THE PEOPLE GATHER or paperback TOTEM POLE CARVING pp. 42-45.
Geographic Location: all photos at area around the old UBC Carving Shed
Crew and log at the old UBC carving shed
Item is a b&w negative of a photograph of Wayne and Isaac working to finish up rounding the log so Norman can begin drawing. Small child watching is my son Luke Powell. The textual info is in WHERE THE PEOPLE GATHER or paperback TOTEM POLE CARVING pp. 42-45.
Geographic Location: all photos at area around the old UBC Carving Shed.