Affichage de 126 résultats

Subseries consists of photographs and negatives documenting the Maori’s visit to MOA in 2004. The photographs are mostly taken in the Great Hall.

Subseries contains images of masks and of the opening ceremony.

Subseries contains images of textiles.

Subseries consists of images used in the booklet Jack Shadbolt and the Coastal Indian Image written by Marjorie M. Halpin as well as a copy of the booklet. In addition are photographs of Jack Shadbolt.

Subseries contains images of an artist.

Subseries consists of images showing artwork from the exhibit <i>Images of LIfe: 50 000 Years of Japanese History</i> and a copy of the proposal for the exhibition (in the form of an illustrated booklet).

Subseries consists of three slides of a Northwest Coast art piece with a caption reading, "A traveling exhibition of contemporary Kwakiutl art by the National Museum of Man."

Subseries consists of images showing a statue and a ceremony table.

Subseries contains images of the exhibit and objects in the exhibit <i>Hidden Dimensions: Face Masking in East Asia</i>. Photographs were taken by Moya Waters.

Subseries contains images used in a a publication titled Hands of Our Ancestors: The Revival of Salish Weaving at Musqueam written by Elizabeth Johnson and Kathryn Bernick as well as the publication itself. This publication is part of the Museum Notes program at the Museum of Anthropology.

File 1 - 3: [Photographs ]
File 4: [Transparencies, negatives]
File 5:[Book]
File 6: [Draft of book]
File 7: [Photographs]

Subseries consists of photographs and textual records relating to and documenting the reconstruction of the roof and exterior of the Haida House at the MOA. Photographs depict the exterior of the Haida House pre-reconstruction as well as the surrounding totem poles. The accompanying textual records document proposals for the reconstruction, correspondence regarding materials, construction, financial documentation including proposed budgets and grant applications, and a UBC MOA Haida House Upgrade Proposal Report.

Subseries consists of photographs and negatives of the Greek and Roman exhibition.

Subseries includes photographs taken by JL Gyssen of Grecian Urns.

Sub-series consists of photographic prints and photocopies collected from other institutions for use on object labels in MOA's Great Hall. Items were originally housed in two large binders with dividers.

Subseries contains three slides documenting the installation of the Musqueam weavers portion of the <i>Gathering Strength: New Generations in Northwest Coast Art</i> exhibit at MOA.

This subseries consists of records relating to McLennan’s teaching work at the Freda Diesing School of Northwest Coast Art in Terrace B.C. from 2006 until 2011. McLennan has continued to teach in 2012-2013, and may return after his retirement from the MOA at UBC.

Subseries contains images of carvings and a contact sheet showing an event in the great hall at the Museum of Anthropology.

Subseries contains images showing artworks portraying people fishing.

Subseries contains records related to the Expo ’98 virtual exhibit which was created and designed through the collaboration of the Haida community, Canadians museums (including MOA) and the Canadian Heritage Information Network. The exhibition featured the Haida community of the Queen Charlotte Islands (Haida Gwaii) and their relationship to the sea, from the past to the present and reflected the Expo ’98 theme of “Oceans: A Heritage for the Future.” Records include initial correspondence regarding the establishment of the collaborations involved with the exhibit, information regarding the exhibit itself and screen captures of the virtual interface.

Subseries contains textual and photographic records of the Pakistan Pavilion at the 1986 World Expedition held in Vancouver, better known as Expo ‘86. McLennan contributed to the design, content and installation of this exhibit.