Calendar prints: Popular art of South India
Subseries consists of images of artworks from Southern India.
Subseries contains images of exhibit.
Bob Boyer: A Blanket Statement
Subseries consists of images used in the Museum Note No. 23 <i>Bob Boyer: A Blanket Statement</i>
Subseries contains images of exhibit curated by students from Anthropology 431 course.
Subseries consists of images of the Blood from a Stone exhibit.
Bill Reid: Beyond the essential form
Subseries contains the booklet produced as part of the Museum Notes program at the Museum of Anthropology titled Bill Reid: Beyond the Essential Form written by Karen Duffek.
Benetton exhibit (student exhibit)
Subseries consists of images of the Benetton student exhibit.
Subseries consist of images showing a beaded object, possibly associated with the 1982 exhibition Beads: Selections from the Textile Collection of the Museum of Anthropology.
Subseries contains records related to the <i>Attributed to Edenshaw Exhibit</i> held at MOA from April 28, 1998 through May 30, 2003. This exhibit featured basketry as well as gold, silver, argillite and wood carvings by Haida artists Charles and Isabella Edenshaw. Records include photographs of artifacts identified as potentially on exhibit during the time frame as well as some correspondence and public relations regarding the exhibit.
This subseries contains images shown in the exhibit <i>Anonymous Beauty</i> curated by Miriam Clavir. This exhibit was on the Japanese handmade paper collection housed at MOA. In addition are 4 transparencies of the exhibit text.
Subseries contains images of textiles used in the exhibit <i>Ancient Cloth...Ancient Code?</i>.