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Subseries consists of images of various items from the Chinese Cultural Centre exhibition.

Subseries contains images of the opening ceremony for the exhibit titled <i>Eulachon: A Fish to Cure Humanity</i>.

Subseries consists of correspondence, meeting minutes, photographs and documentation regarding the totem pole that was carved for UBC by Ellen Neel in 1948, its subsequent deterioration and mishandling, and the committee formed to resurrect a new pole carved by Calvin Hunt. Bill McLennan sat on the committee that was struck to handle the installation of the new pole.

Subseries contains photographic slides of the exhibit <i>El Corazon Del Mundo : At the Heart of the World</i>. This exhibit was held at MOA from October 23, 2002 - March 30, 2003.

Subseries contains two photographs related to the Dress and Identity exhibit.

Subseries contains binders of copies of images that McLennan has ordered, and some cases paid for, from other institutions, in addition to some that he has taken himself. He has arranged them in binders according to culture. He created these binders as an easy reference system for faculty, students, community members, and artists to use when identifying and comparing cultural artistic styles, and traditional customs. First Nations included in the culture photographs include: Tsimshian, Haisla, Kwakwaka’wakw, Northern First Nations, Ktunaxa, Kinbasket, Okanagan, Salish, Tlingit, Tahltan, Tsilhqot’in, Secwepemc, Stl’atl’lmx, Nlaka’pamux, Heiltsuk, Nuxalk, Oweekeno, Gitxsan, Haida, Nuu-chah-nulth and Nisga’a. A file also pertains to differentiating between different styles of canoes.

Subseries consists of images used in the book Cowichan Indian Knitting and textual records relating to the production of the book. In addition are the images used in the exhibit which was shown in the Museum of Anthropology September 23 – November 9, 1986.

File 1: Images used in booklet
File 2: Images used in exhibit
File 3: Images of the exhibit

Subseries consists of the image used on the cover of the cookbook created by the Volunteer Assistants.

Subseries consists of records related to the 1987 Commonwealth Conference which brought together heads of government, delegates and media from every commonwealth country in the world. The MOA contributed examples of Northwest Coast art to the conference.

Subseries contains one file that consists of images showing the unveiling of the Canada Post stamp for the 50th anniversary of the MOA.

This subseries contains records relating to an exhibit built at the Canadian Museum of Civilization. McLennan was the project manager and design developer for this project. He oversaw the completion and installation of six west coast First Nation house designs: Coast Salish, Haida, Tsimshian, Bella Coola, Oweekeno, and Kwakwaka'wakw. The records include newspaper clippings, correspondence, photographs, and notes.

Subseries consists of the text and images used in an exhibit titled <i>Clothing Identity.</i>

Subseries consists of images taken in the great hall at the Museum of Anthropology showing an exhibit titled Chronicles of Pride. Patricia Richardson Logie participated as an artist showing her portrait of Blanche MacDonald.

Subseries contains images showing textile art.

Subseries consists of images of artifacts and of the exhibit. Artifacts in this exhibit are part of the Laboratory of Archaeology (LOA) collection at UBC. For more information on the objects contact the LOA.

File contains images of artifacts made of cedar, including baskets, hats, fishing tools, bentwood boxes and totem poles.

Subseries contains images of the unveiling of the club given to Captain Cook as well as research materials collected by McLennan on Captain Cook.

Subseries contains one file consisting of correspondence, draft manuscript pages, and photographs relating to the ‘Marie Mauze Project’. This project involved the Kwakiutl Museum (now named the Nuymbalees Cultural Centre) and pieces from their collection that had been returned to them after the ban on potlatches had been lifted. The project was designed in order to create a book, however, the book was never published.

Subseries consists of images of artworks from Southern India.

Subseries contains images of exhibit.