Image of Bill Reid carving a model of his sculpture The Spirit of Haida Gwaii. The photograph was taken by William McLennan in Reid's Granville Island studio.
Image of Bill Reid carving a model of his sculpture The Spirit of Haida Gwaii. The photograph was taken by William McLennan in Reid's Granville Island studio.
File contains copies of administrative files related to the Bill Reid Canoe displayed at Expo 86. The files contain budgets, copies of correspondence to McLennan from Expo organizers, notes, copies of contracts between Expo and MOA, and other reports related to the exhibition.
Subseries contains the booklet produced as part of the Museum Notes program at the Museum of Anthropology titled Bill Reid: Beyond the Essential Form written by Karen Duffek.
Image of Bill Reid as a child standing next to his maternal grandfather, Charles Gladstone, seated on a wooden porch. Reid is holding a small pipe in his mouth and looking towards the camera.
Series consists of records created and collected by McLennan relating to Bill Reid and his art held both in private collections and at the MOA. Projects included in these records are the installation of Raven and the First Men in the MOA and The Spirit of Haida Gwaii at the Vancouver International Airport. Photographs also document jewelry designed by Bill Reid, along with small sculptures, large scale sculptures, ivory and argillite works and drums.
Image of Bill Reid and Robert Davidson standing next to wooden carving in progress. Information on the back of the image credits the photograph to Wilson Duff, Museum of Anthropology curator. The date and place written on the image is 1968 in Montreal.
File contains digital photographs of historic images used in exhibit with hand written names identifying individuals. Photographs were taken by Beverley Brown.
File contains images of Houstie's artwork featured in the <i>Transforming Images</i> exhibit. There are also images of Houstie working on his artwork. The textual records in this file contain photocopies on images found in this file.
File mainly contains photocopies of architectural drawings and plans of the Bella Coola house that was part of the CMC House project. Other records include a list of artists from Bella Coola who were potential candidates to work on the house, and research information.
File contains correspondence between members of the Heiltsuk community and McLennan regarding the Transforming Image project. In addition are copies of photographs and descriptions of the people and events in the photographs.