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File contains images of a bentwood box located at Simon Fraser University. The textual records contain handwritten notes about the box.

Subseries contains a significant number of digital images on CD-ROMs of scans of silver bracelets from MOA, as well as various other institutions including the Royal Ontario Museum and the Canadian Museum of Civilization, in order to facilitate study of these bracelets as a flat image. Bracelets were scanned and then added to a database. These scans contributed to the Signed Without Signature exhibit at MOA on works by Charles and Isabella Edenshaw. CD-ROM 7 also includes photographs of Arthur Erickson’s birthday party at MOA.

File contains 9 CD-ROMS (one of which is blank) containing digital images of bracelets held at various museums in Canada and the United States. Some of the CDs also contains digital copies of textual records listing information about the bracelets. The photographs contain images of bracelets from an unspecified museum exhibit(s). The textual records are photocopies of CD covers listing the contents on the CDs.

File contains one spiral bound book (unpublished) containing photographs of the Signed without Signature exhibition and events, as well as a review of the exhibition.

Subseries consists of records related to the <i>Signed Without Signature: Works by Charles and Isabella Edenshaw</i> exhibit curated by McLennan for MOA. In this exhibition, McLennan focused on showcasing Charles Edenshaw’s metalwork and painting, and Isabella Edenshaw’s basketry, to illustrate how each artist created a recognizable “signature” through art and not by physically signing their names, and how it evolved through their long careers. Records include research on the Edenshaws, exhibit photos, reviews, notes, correspondence, artifact loans, and files relating to individual museums and heritage institutions which hold Edenshaw artifacts.

File contains correspondence regarding photographing objects for the Image Recovery Project.

File contains images of bentwood boxes housed at Sheldon Jackson College. The textual records contained in this file are copies of catalogue records.

Subseries contains images of objects in the exhibit Sensibilities: Unsuspected Multicultural Harmonies which ran at the Museum of Anthropology from October 26 1982 – April 17, 1983.

File contains images showing heavy machinery moving the log selected for Bill Reid to carve.

File contains photographs of a paddle and a bent-wood box. In addition are the supporting textual records, mostly correspondence between McLennan and staff at the Seattle Art Museum.

File contains a catalogue card for a "Spirit Dancer Costume" housed at the Seattle Art Museum.

File contains a contact sheet depicting a Northwest Coast style cedar hat.

File contains images of painted screens from the <i>Transforming Images</i> exhibit featured at the Canadian Museum of Civilization. The file also contains images of some of the artists featured in the exhibit working on their screens.