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Parte de William McLennan (MOA Curator) fonds
Prints exhibition: Roy Hanuse, Joe David, and Art Thompson
Parte de William McLennan (MOA Curator) fonds
Subseries contains images of a serigraph print created in 1971 by Joe David. The print is titled Ka-Ka-Win-Chealth (Transformation of white wolf into killer whale).
Parte de William McLennan (MOA Curator) fonds
File contains images of Northwest Coast artifacts held by a private collector.
Private collection - Carpenter DeMinel [?]
Parte de William McLennan (MOA Curator) fonds
File contains images of bentwood boxes and cedar hats from a private collection.
Parte de William McLennan (MOA Curator) fonds
File contains images of a bentwood box from D. Ellis' private collection. It is stated that the box was sold to Ellis from a Musqueam family and then went to the Boston Museum of Fine Arts.
Private Collection - Dundas chest
Parte de William McLennan (MOA Curator) fonds
File contains images of a bentwood box from a private collection.
Private collection - Ethnic Arts Council Seattle
Parte de William McLennan (MOA Curator) fonds
File contains images of bentwood boxes, cedar hats, and paddles from a private collection.
Private collection - M. Nic - Massett
Parte de William McLennan (MOA Curator) fonds
File contains images of a bentwood box from M. Nic's private collection.
Private collection - P. Sargent's box
Parte de William McLennan (MOA Curator) fonds
File contains images of a bentwood box from Polly Sargent's private collection.
Private collection - Stan Bevan
Parte de William McLennan (MOA Curator) fonds
File contains images of a bentwood box from Stan Bevan's private collection.
Private collection Seattle - Hauberg
Parte de William McLennan (MOA Curator) fonds
File contains images of a bentwood box from a private collection in Seattle.
Private collection Seattle - unnamed
Parte de William McLennan (MOA Curator) fonds
File contains images of bentwood boxes from a private collection.
Parte de William McLennan (MOA Curator) fonds
File mainly contains images, both photographs and photocopies, of Northwest coast artifacts held by private donors. Other textual records include copies of correspondence from McLennan regarding pieces potential donors were interested in giving to MOA.
Parte de William McLennan (MOA Curator) fonds
File contains images of a building being built. The building is adorned with NWC artwork. The textual records consist of correspondence, photocopies of newspaper clippings, and budget reports.
Parte de William McLennan (MOA Curator) fonds
Parte de William McLennan (MOA Curator) fonds
This subseries contains one file that consists of images of a private pole raising. The mask in the photographs was carved by Jim Hart and is being danced by him. The mask is part of the MOA, UBC collection.
ref # 1-2-B
Parte de William McLennan (MOA Curator) fonds
Item is a print showing Bill McLennan standing at a table talking to visitors about the image recovery project. Glen Wood is working on a sketch of a Tsimshian House front behind him.
Parte de William McLennan (MOA Curator) fonds
File contains the research materials for the project where McLennan acted as an adviser for the project. In addition, are images of Ruby Peter showing the process of mat making.
Parte de William McLennan (MOA Curator) fonds
Series consists of records created by William McLennan in the course of planning and photographing various projects and events at MOA.
Projects are considered as having a longer duration, often occuring outside of the physical museum building, and in cooperation with other bodies. McLennan often liaised with First Nation communities and artists during the planning stages of projects.
Events are considered as having occurred over a short period of time. Events were attended by McLennan as a MOA representative and photograph.
On both projects and events McLennan took on larger roles in addition to photographer such as community liason, presenting on topics, and designer. Each project and event comprises their own sub-series.
Parte de William McLennan (MOA Curator) fonds
File mainly contains images of an elaborately decorated truck used in the Pakistan Pavilion at Expo 86. Other images include photos depicting a ship and the outside exterior of the Pavilion. The textual records include photocopies of newspaper articles written on the Pakistan Pavilion.