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Subseries consists of one file of correspondence and notes relating to a proposed exhibition of Peruvian artifacts in conjunction with the Canadian Cultural Property Export Review Board.

The records in this subseries relate to an exhibit that was developed by MOA in conjunction with the Tibetan Cultural Society, the Canada Tibet Committee, and Women Working for a Free Tibet. Subseries consists of 1 file of correspondence, memos and exhibit labels.

Subseries consists of records relating to the exhibit "Proud to be Musqueam: Dedicated to Our Children." The exhibit was coordinated by Lizanne Fisher and Elizabeth Johnson. It was installed at MOA in 1989; a travelling version was later created. Subseries includes agreements, Anthropology 341 course outline, brochures, correspondence, exhibit labels, funding proposal, memos, notes, permission forms, phone message, articles from conferences, newspapers and professional journals, and a student paper.

Subseries consists of records relating to the exhibit, The Unity Quilt. Elizabeth Johnson was coordinator and co-curator with Ellen Antoine of the Indian Homemakers of BC. This exhibit focused on work made by participants in the Traditional Parenting Skills Program of the Indian Homemakers’ Association of B.C. Records include: correspondence, MOA exhibit proposal form (blank), exhibit labels, memos, notes, press release, photographs, negatives, slides, and participant statements.

Subseries consists of a newsletter pertaining to the exhibit “Nunavutmiutanik Elisasiniq.” This exhibit was installed at the MOA from April - September 1999. This exhibition honours the people of Nunavut, and features more than one hundred examples of contemporary and historic sculptures, prints, and drawings.

Series consists of records created, received, and or used by Elizabeth Johnson for collections management at the Museum of Anthropology. Records include Anthropology 431 syllabus, area committee records, articles, budgets, cataloguing procedures, committee records, correspondence, draft guidelines, draft policies and procedures, ethnology collection storage statistics, job description, job posting, insurance, loan forms, memoranda, minutes, notes, object lists, photographs, professional guidelines, project overviews, reports, research notes, surveys, transcripts of research interviews, workshop outlines, and administrative and financial records.

The series is arranged into the following subseries:
Subseries A: Collections’ administrative and operational files
Subseries B: Textile collections’ records
Subseries C: VA projects
Subseries D: Francis Williams Project
Subseries E: Provenancial Inquires

Subseries consist of records relating to the acquisition of photographs by, or of the Haida artist Francis Williams. Records include correspondence and notes.

Subseries consists of records relating to the Museum’s relationship with the Ming Pau Newspaper. In particular the records focus on funding given to the Museum by the newspaper for the 1993 homecoming event and an exhibition review done by the paper. The records include notes, correspondence and a photocopy of a newspaper page.

Subseries consists of records relating to planning for MOA’s fiftieth anniversary celebrations. The records in this file consist of notes, minutes, memoranda, correspondence, agendas, events schedules, requests for funds.

Subseries consists of records relating to an event entitled Convergence hosted by the Handweavers Guild of America. In particular the records in this series focus on the Museum of Anthropology’s involvement and correspondence supporting the 2002 Convergence in Vancouver, hosted by the Greater Vancouver Weavers’ and Spinners’ Guild. Records relating to the event planning activities include correspondence, letters of reference for participants in the event, presentation and seminar proposals, artist biographies, resumes, business cards, delegate registration book, schedules, roles and responsibilities, guidelines, planning notes, textile list, culturally sensitive object list, workshop descriptions and schedules, loan receipts, memoranda, Shuttle Spindle & Dyepot periodical, and ephemera.

Subseries consists of records relating to various aspects of the Cantonese opera in Vancouver including, photo permissions, questions surrounding documentation, and seminars. Records relate to the Hong Kong Cantonese Opera Troupe performance hosted by the Museum of Anthropology. The records in this file consist of photographs, correspondence, notes, agreements, business card, programmes, signage, object list, work plan, presentation, contact list, notebooks, oversized posters, and ephemera.

Subseries consists of various photographs collected by Elizabeth Johnson during her tenure at the Museum of Anthropology. The records document various staff members from the museum as well as unidentified activities with the collection and the community. The records included in this series are composed of photographs.

Series consists of correspondence relating to the general administrative activities and responsibilities of Elizabeth Johnson in her capacity as Curator of Documentation, Curator of Collections, Curator of Ethnology, and as Curator of Textiles. Records include 10 colour photographs, correspondence, publications, memoranda, photocopies of contact sheets, handwritten notes, name lists, object lists and a project proposal.

Subseries consists of records relating to staff retreats from 1978 to 1982. The records included in this series are notes.

Subseries consists of records relating to various researchers, assistants and other temporary employees under Elizabeth Johnson’s charge. Records in the series include notes, correspondence and contracts.

Subseries consists of records relating the course Anthropology 431 Museum Principals and Methods which Elizabeth Johnson taught regularly between 1993 and 2002. Records in the series include notes and lecture notes, correspondence, syllabi, contracts bibliographies, course description grading schemes, history of the University of British Columbia and the Museum of Anthropology’s massive carvings, artifact list, acquisition background information form, and Elizabeth Johnson’s short biography.

Subseries consists of records relating the course Anthropology 341 ‘Material Culture: Clothing and Culture’ taught by Elizabeth Johnson. Included in the series are annotated syllabi, correspondence, course outline, and presentation notes.

Subseries consists of a record relating to Elizabeth Johnson’s activities as instructor for Anthropology 302. Record consists of a lecture outline.

The records in this fonds were created and received in the course of Elizabeth Johnson’s tenure at the Museum of Anthropology. The records relate to activities Johnson was involved in through her various positions at the Museum, including: involvement with exhibitions, collections, the museums relations with the community and various community events sponsored by the museum, teaching and various administrative activities. The fonds consists of agendas, agreements, articles, artifact lists, attendance figures, biographies, books, business cards, budgets, calendar of events, catalogue drafts, comment books, conference schedule, consent forms, contract lists, correspondence, course descriptions, curators statement, declaration, diagram, drawings, evaluations, exhibit labels, expenses, internal forms (exhibit proposal forms), financial records, flyers, final reports, guidelines, grant applications, invitations, lecture notes, memoranda, minutes of meetings, museum exhibit diagrams, notes, permission forms, photographs, photograph labels, posters, plans, policies, press releases, proposals, publications (books), publicity records, receipts, reports, reproductions of newspaper ads and articles, research notes, revisions, schedules, slide list, slides, speaking notes, student papers, surveys, syllabi, teaching notes, transcripts of research interviews, audio cassettes of interviews, translations, visitor surveys and comments, and videos.

The fonds is arranged in the following series:

1. Proposed Exhibits
2. Exhibits
3. Collections
4. Special projects and events series
5. Correspondence series
6. Museum education series
7. Administrative series
8. Academic materials

See attached pdf document for description of series and file lists.

Subseries consists of one file of correspondence, memos, notes, 3 contact sheets accompanied by negatives relating to a proposed exhibition of textile from Tibet and Turkistan.