Totem pole installation, Museum of Anthropology
- 25-05-11-a038715
- Item
- [197-?]
Parte deAnthony Carter fonds
Image of workers installing totem poles at the Museum of Anthropology at the University of British Columbia.
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Totem pole installation, Museum of Anthropology
Parte deAnthony Carter fonds
Image of workers installing totem poles at the Museum of Anthropology at the University of British Columbia.
Sin título
Totem pole installation, Museum of Anthropology
Parte deAnthony Carter fonds
Image of workers installing totem poles at the Museum of Anthropology at the University of British Columbia.
Sin título
Totem pole installation, Museum of Anthropology
Parte deAnthony Carter fonds
Image of workers installing totem poles at the Museum of Anthropology at the University of British Columbia.
Sin título
Totem pole installation, Museum of Anthropology
Parte deAnthony Carter fonds
Image of workers installing totem poles at the Museum of Anthropology at the University of British Columbia.
Sin título
Totem pole installation, Museum of Anthropology
Parte deAnthony Carter fonds
Image of workers installing totem poles at the Museum of Anthropology at the University of British Columbia. MOA Director Michael Ames is on the left.
Totem pole installation, Museum of Anthropology
Parte deAnthony Carter fonds
Image of MOA Director Michael Ames with pole A50020 as it was being installed in MOA's Great Hall.
Parte deE. Polly Hammer fonds
This pole was on display at UBC in Totem Park in the 1960’s and 1970’s and moved to the Museum in the late 1970’s. It was carved in 1914 in Tsaxis (Fort Rupert) by George Hunt Sr. for the Edward S. Curtis film "In the Land of the War Canoes" which was originally titled "In the Land of the Head Hunters". The pole was collected by Marius Barbeau and Arthur Price in 1947. The pole was repaired and re-painted by carvers Ellen Neel in 1949 and Mungo Martin in 1950-51. It stood at Totem Park, UBC Campus until it was re-located to the Museum's Great Hall in 1976.
Iconography: Kolus is a young thunderbird. Thunderbird is a supernatural bird identifiable by the presence of ear-like projections or horns on the head, and a re-curved beak. The pole alludes to the story of Tongas people in south Alaska, who migrated south.
Parte deAnthony Carter fonds
Scene from totem pole installations at the Museum of Anthropology at UBC.
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Parte deAnthony Carter fonds
Scene from totem pole installations at the Museum of Anthropology at UBC.
Sin título
Parte deAnthony Carter fonds
Scene from totem pole installations at the Museum of Anthropology at UBC.
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Parte deAnthony Carter fonds
Image of storage area at the Museum of Anthropology at UBC during totem poles installations
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Parte deAnthony Carter fonds
Scene from totem pole installations at the Museum of Anthropology at UBC.
Sin título
Parte deAnthony Carter fonds
Scene from totem pole installations at the Museum of Anthropology at UBC.
Sin título
Parte deAnthony Carter fonds
Scene from totem pole installations at the Museum of Anthropology at UBC.
Sin título
Parte deAnthony Carter fonds
Scene from totem pole installations at the Museum of Anthropology at UBC
Sin título
Parte deAnthony Carter fonds
Scene from totem pole installations at the Museum of Anthropology at UBC
Sin título
Parte deAnthony Carter fonds
Scene from totem pole installations at the Museum of Anthropology at UBC.
Sin título
Parte deAnthony Carter fonds
Scene from totem pole installations at the Museum of Anthropology at UBC.
Sin título
Parte deAnthony Carter fonds
Scene from totem pole installations at the Museum of Anthropology at UBC.
Sin título
Parte deAnthony Carter fonds
Scene from totem pole installations at the Museum of Anthropology at UBC.
Sin título