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Portrait of Jimmie John with one of his carvings. A similar image is pictured on page 97 of Carter's book "From History's Locker," with the caption: "Jimmie John, one of the best of the Nootka carvers, shown here displaying a piece of his work, a replica of the famous Chief Maquinna mask."

Portrait of Jimmie John with two of his carvings. A similar image is pictured on page 97 of Carter's book "From History's Locker," with the caption: "Jimmie John, one of the best of the Nootka carvers, shown here displaying a piece of his work, a replica of the famous Chief Maquinna mask."

Portrait of Jimmie John with two of his carvings. A similar image is pictured on page 97 of Carter's book "From History's Locker," with the caption: "Jimmie John, one of the best of the Nootka carvers, shown here displaying a piece of his work, a replica of the famous Chief Maquinna mask."

Portrait of Nootka carver Jimmie John with one of his carvings. A similar image is pictured on page 97 of Carter's book.

Portrait of Jimmie John with two of his carvings. A similar image is pictured on page 97 of Carter's book "From History's Locker," with the caption: "Jimmie John, one of the best of the Nootka carvers, shown here displaying a piece of his work, a replica of the famous Chief Maquinna mask."

Portrait of Jimmie John with one of his carvings. A similar image is pictured on page 97 of Carter's book "From History's Locker," with the caption: "Jimmie John, one of the best of the Nootka carvers, shown here displaying a piece of his work, a replica of the famous Chief Maquinna mask."

Portrait of Jimmie John with two of his carvings. A similar image is pictured on page 97 of Carter's book "From History's Locker," with the caption: "Jimmie John, one of the best of the Nootka carvers, shown here displaying a piece of his work, a replica of the famous Chief Maquinna mask."

Portrait of Jimmie John with one of his carvings. A similar image is pictured on page 97 of Carter's book "From History's Locker," with the caption: "Jimmie John, one of the best of the Nootka carvers, shown here displaying a piece of his work, a replica of the famous Chief Maquinna mask."

Portrait of Jimmie John with one of his carvings. A similar image is pictured on page 97 of Carter's book "From History's Locker," with the caption: "Jimmie John, one of the best of the Nootka carvers, shown here displaying a piece of his work, a replica of the famous Chief Maquinna mask."

Portrait of Jimmie John with one of his carvings. A similar image is pictured on page 97 of Carter's book "From History's Locker," with the caption: "Jimmie John, one of the best of the Nootka carvers, shown here displaying a piece of his work, a replica of the famous Chief Maquinna mask."

Japanese theatre performance at the Museum of Anthropology.

Japanese flute player at a public performance at the Museum of Anthropology.

Portrait of Chief John L. George, of the Burrard tribe, holding a small carved wooden pole. He is seated outside.

Portrait of Chief John L. George, of the Burrard tribe, holding a small carved wooden pole. He is standing outside.

Item is an image of a group posing by a totem pole and in front of a building. A ship is visible in the background. According to annotations, photograph was taken in Lax-Kw'alaams (previously known as Port Simpson and Fort Simpson) by the Fire Hall and the ship in the background is the Islander.

Image depicts four totem poles standing in a cleared area. A structure is visible in the lower left corner of the image. The totem on the image's far left appears to be a pole carved by Tony Hunt (with Calvin Hunt, John Livingston, and Peter Knox), located in the Nimpkish Band Cemetery at Alert Bay.

Image of the interior of the new Ksan Village longhouse at Hazelton, B.C. Carter describes it as "an outstanding example of the old culture of the west coast Indian people" on page 110 of his book Abundant Rivers.

Image of the interior of the new Ksan Village longhouse at Hazelton, B.C. Carter describes it as "an outstanding example of the old culture of the west coast Indian people" on page 110 of his book Abundant Rivers.

Image of the interior of the new Ksan Village longhouse at Hazelton, B.C. Carter describes it as "an outstanding example of the old culture of the west coast Indian people" on page 110 of his book Abundant Rivers.

House posts from Hope Island in situ. These were later removed and brought to UBC. They are currently housed at the Museum of Anthropology.