Image depicts a midsection closeup of a small-scale totem pole in front of a door. Visible are two figures, one possibly a seated human perched on top of what may be a Thunderbird. Each figure seems to be sitting in a corner. See items a034476 - a034482 for other views of this pole.
Image depicts a side/front view of a small-scale totem pole in front of a door. The top two figures have long beaks, a third figure has a beak that is bent downward, and a human figure is seated at the bottom. Each winged figure is protecting a smaller figure. Two are possibly human and the third appears to be a frog. See items a034476 - a034482 for other views of this pole.
Image depicts a side view of a small-scale totem pole in front of a door. The top two figures have long beaks, a third figure has wings but no visible beak, and a human figure is seated at the bottom. See items a034476 - a034482 for other views of this pole.
Image depicts a top section closeup of a small-scale totem pole in front of a door. Visible are two beaked figures, with another seated figure. See items a034476 - a034482 for other views of this pole.
Image of a St. Michael's Indian Residential School in Alert Bay. A similar image is printed on page 35 of Carter's book "From History's Locker," with the caption: "Two fine old carved columns stand guard in front of the school."
Image of a St. Michael's Indian Residential School in Alert Bay. A similar image is printed on page 35 of Carter's book "From History's Locker," with the caption: "Two fine old carved columns stand guard in front of the school."
Workers stand on a scaffold to wrap a totem pole in padding to prepare it for being moved from its position in Totem Park to the new Museum of Anthropology building. This totem pole was originally carved by Charlie James and later restored by Mungo Martin.
Workers stand on a scaffold to wrap a totem pole in padding to prepare it for being moved from its position in Totem Park to the new Museum of Anthropology building. This totem pole was originally carved by Charlie James and later restored by Mungo Martin.
Stone sculptures, a frog figure, and other items on display in Montréal for the Museum of Anthropology's Northwest Coast exhibit for "Man and His World".
Workers affixing supports to a totem pole in Totem Park in advance of it being moved from Totem Park to the new Museum of Anthropology building. This pole was carved by George Hunt Sr. The pole is now part of the museum's collection. This pole was originally carved for the Edward S. Curtis film "In the Land of the War Canoes" which was originally titled "In the Land of the Head Hunters." The pole was repaired and re-painted by carvers Ellen Neel in 1949 and Mungo Martin in 1950-51. It stood at Totem Park, UBC Campus until it was re-located to the Museum's Great Hall in 1976.
Photograph of a totem pole in Alert Bay, BC. This pole has been called the world's tallest totem pole, though this is a disputed fact since it is actually comprised of two pieces. The pole is not specific to a particular family, but represents multiple tribes of the Kwakwaka'wakw. The pole was completed in the late 1960's and raised in 1973. It is located near the Big House.
Item is a sound recording of material used in the UBC course, Anthropology 431. The recording features a speaker discussing Coast Saalish and Kwakwaka'wakw masks in terms of similarities and differences in form and meaning, particularly in reference to writing on the subject by Claude Levi-Strauss. The recording is related to the MOA exhibition Kwakiutl Masks: An Expression of Transformation, which took place from April 15 to December 31, 1979. The content of the recording is repeated three times.
Image depicts Doug Cranmer preparing to make a rubbing image (using kraft paper and crayon) of the carving on a totem pole. Another person, possibly Godfrey Hunt, assists by holding the paper.
