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File contains images of artifacts made of cedar, including baskets, hats, fishing tools, bentwood boxes and totem poles.

Sub-series consists of textual records, including general research and planning files, permission forms, interviews and biographic information used by Dr. Halpin to develop a number of CD-Rom projects on native artists. The records also include a print out of the “Button Robes” cd-rom project on first nations form of traditional dress and the iconography behind them, and photographs, slides, compact disks, videos, and tapes from the Dorothy Grant project.

This sub-series consists of records relating to the exhibition of the Carl Beam Exhibit at MOA. This exhibition, which was created by the National Gallery of Canada, was exhibited at UBC MOA from April 8th to May 29th 2010 and was curated by Greg Hill. The Exhibit displayed fifty works of Carl Beam, an artist of Anishinaabe (Ojibwa) heritage.

Files contain correspondence, exhibit floor plans, installation instructions from the National Gallery of Canada, photocopies of art works, exhibit captions, promotional materials, and notes for an opening night speech.

Sub-series consists of textual records related to the exhibit on the voyages of Captain Cook to Nootka Sound. Included is the paper “Encounter 1778: Drawings and Watercolours of Nootka Sound by John Webber” by Natalie MacFarlane, exhibit scripts, video scripts, correspondence, and loan forms for the Webber drawings.

Subseries contains images of the unveiling of the club given to Captain Cook as well as research materials collected by McLennan on Captain Cook.

Consists of photographs documenting the carving and raising of three poles: two located at Capilano Mall in North Vancouver, and one in Stanley Park.

Subseries contains one file consisting of correspondence, draft manuscript pages, and photographs relating to the ‘Marie Mauze Project’. This project involved the Kwakiutl Museum (now named the Nuymbalees Cultural Centre) and pieces from their collection that had been returned to them after the ban on potlatches had been lifted. The project was designed in order to create a book, however, the book was never published.

Subseries consists of records relating to various aspects of the Cantonese opera in Vancouver including, photo permissions, questions surrounding documentation, and seminars. Records relate to the Hong Kong Cantonese Opera Troupe performance hosted by the Museum of Anthropology. The records in this file consist of photographs, correspondence, notes, agreements, business card, programmes, signage, object list, work plan, presentation, contact list, notebooks, oversized posters, and ephemera.

Subseries consists of records relating to Elizabeth Johnson’s interaction with the Canadian Museums Association with a specific focus on the ‘Symposium of Cultural Diversity’ and on a mid-career development grant. The records in this file consist of correspondence, a photocopy from a journal, a business card, a procedures outline, notes, minutes, a memorandum, correspondence, agendas, events schedules, requests for funds.

Subseries consists of images of artworks from Southern India.

Subseries contains images of exhibit.

Subseries consists of records related to the MOA facilities and services including Conservation Laboratory construction, expansion and renovations, from initial proposal through design and development, including a large amount of records relating to the development of visible storage. Records also relate to building maintenance operations, earthquake mitigation, museum environmental concerns, and building security. Subseries consists of correspondence and memoranda, reports, photographs, blueline prints and other architectural drawings, handwritten notes, photomicroscopic images and negatives, and published materials.

The subseries is arranged in the following two sub subseries:
A: General Building Records
B: Visible Storage