Interior of a carving workshop
- 92-1-a034647
- Item
- [ca. 1964 - 1967]
Parte deVirginia Kehoe fonds
Image depicts an interior room used for carving. Several unfinished projects and woodworking tools are visible.
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Interior of a carving workshop
Parte deVirginia Kehoe fonds
Image depicts an interior room used for carving. Several unfinished projects and woodworking tools are visible.
Parte deVirginia Kehoe fonds
Image depicts Douglas Cranmer and Godfrey Hunt inspecting a tree.
Inspecting a partially carved pole
Parte deVirginia Kehoe fonds
Image depicts Doug Cranmer and another carver, possibly Godfrey Hunt, with a partially carved pole. A man and a woman observe the work.
Parte deVirginia Kehoe fonds
Image depicts an interior room used for carving. A canoe is visible in this image.
Parte deVirginia Kehoe fonds
Image depicts a partially carved pole being hosed down by carver Doug Cranmer.
Hosing down a pole, view three
Parte deVirginia Kehoe fonds
Image depicts a partially carved pole being hosed down by carver Doug Cranmer. A building housing other carvings is visible behind the pole.
Parte deVirginia Kehoe fonds
Image depicts a partially carved pole being hosed down by carver Doug Cranmer.
Parte deVirginia Kehoe fonds
Image depicts a cedar carving of a head. The photo depicts the right side of the carving.
Parte deVirginia Kehoe fonds
Image depicts a small carving of a halibut that rests on a ledge. Additional information indicates that this photo was taken at a shutter speed of 50 with an aperture of 2.8 - 4.
Haida house and mortuary house being reassembled
Parte deMOA General Media collection
Image shows the Haida and mortuary houses while they were being reassembled during relocation from Totem Park.
Haida house and mortuary house being reassembled
Parte deMOA General Media collection
Image shows the Haida and mortuary houses while they were being reassembled during relocation from Totem Park.
Haida house and mortuary house being reassembled
Parte deMOA General Media collection
Image shows the Haida and mortuary houses while they were being reassembled during relocation from Totem Park.
Haida house and mortuary house being reassembled
Parte deMOA General Media collection
Image shows the Haida and mortuary houses while they were being reassembled during relocation from Totem Park.
Habitat creation myth painting
Parte deVirginia Kehoe fonds
Image depicts a painting of the myth of habitat creation. Painting is done in black and red on white.
Fonds consists of eight slides of totem poles being raised in the Haida Village at the University of British Columbia (UBC). The slides are dated May, 1962. The photographs were taken by George Szanto, the son-in-law of Geoffrey Andrew who was the Dean and Deputy President of UBC from 1947 to 1962.
The totem poles represented in the images were carved by Haida artist Bill Reid and 'Namgis artist Doug Cranmer. They were originally situated at UBC's Totem Park. They are now located on the grounds behind the Museum of Anthropology, and modelled on a 19th century Haida village.
Sin título
Parte deVirginia Kehoe fonds
Image depicts a frontal view of a frog mask.
Parte deVirginia Kehoe fonds
Image depicts a side view of a completed frog mask. The head is green and black, with white used to highlight eyes and red for nose and mouth. The hair may be composed of braided cedar fibrers.
Parte deVirginia Kehoe fonds
Image depicts a completed mask. The figure, a frog, has a green and white face with red nose and lips with twined cedar bark for hair.
Freestanding figure with white feet
Parte deVirginia Kehoe fonds
Image depicts a frontal view of a freestanding figure with white feet. The figure also has hands raised to chest height and wears a white vest decorated with crests. See also items a34571 and a34572 for other views of this carving.
Freestanding carving, side view
Parte deVirginia Kehoe fonds
Image depicts a side view of a freestanding carving. Painted in black, white, and red, it depicts a face with prominent ears, eyes, and mouth. In this view the white vest and hands are also visible. An unpainted section can be seen on the top of the head. See also items a34570 and a34571 for other views of this carving.