File contains copies of still images permission forms from the Royal British Columbia Museum, as well as copies of correspondence between McLennan and the RBCM regarding obtaining images from the RBCM for the <i>Signed without Signatures</i> exhibit. There are also photocopies of the images of cedar hats and silver bracelets supplied by the RBCM. The contact sheets include images of a cedar hat.
File contains photocopies of images of silver bracelets held at the Royal British Columbia Museum. The file also contains print outs of the RBCM's online catalogue of various bracelets held in their collection.
File mainly contains images of bentwood boxes, but also contains images of other Northwest Coast Artifacts such as cedar hats. The textual records in this file are copies of catalogue records from the RBCM.
File contains copies of correspondence between McLennan and the Royal Ontario Museum (ROM) regarding MOA borrowing some pieces from their collection to showcase in the <i>Signed Without Signature</i> exhibit. The majority of the photographs contain in this file are images of a cedar hat held at the ROM. Other photographs depict gold and silver bracelets.
File contains a combination of historical photographs depicting village life of the Coast Salish people, and modern day photographs of Salish artifacts housed in various museums around the world. The historical photographs contain images of Coast Salish peoples, totem poles, house posts, canoes, and petroglyphs. The modern day photographs contain images of Coast Salish artifacts such as blankets, spindle whorls, masks, carvings, house posts and totem poles, and household items such as combs and bowls. The textual records contained in this file are photocopies of images of Coast Salish artifacts housed in various museums around the world.
Drawing of a Salish woman weaving a blanket. This photograph may be from an exhibit at the old Museum of Anthropology dealing with Northwest coast technology.
File contains photographs of a paddle and a bent-wood box. In addition are the supporting textual records, mostly correspondence between McLennan and staff at the Seattle Art Museum.
