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Preparing to move a totem pole

Two men discuss plans to move a totem pole from Totem Park to the new Museum of Anthroplogy building. The totem pole was originally carved by Charlie James and later restored by his son, Mungo Martin.

Preparing to move a totem pole

Three people discuss plans to move a totem pole from Totem Park to the new Museum of Anthropology building. The totem pole was originally carved by Charlie James and later restored by his son, Mungo Martin.

Rounding the log

File consists of photographs documenting the first stage of log preparation for the creation of the Native Education Centre pole by Norman Tait and crew. This stage includes removing the bark, taking off the outer layer of wood, and making it round in preparation for the design to be added. Also included are images of the log being moved from Gibsons on the Sunshine Coast to the construction company's yard and finally to the carving shed at the University of British Columbia.

Scaffolding surrounds a totem pole

A scaffolding surrounds a totem pole that is being moved from Totem Park to the new Museum of Anthropology building. Staff wrap the pole in padding. The totem pole was originally carved by Charlie James and was later restored by Mungo Martin.

Scaffolding surrounds a totem pole

Scaffolding surrounds a totem pole standing in Totem Park in preparation for moving it to the new Museum of Anthropology building. This pole was carved by Mungo Martin and later restored by him at the University of British Columbia in 1950-51. It stood in Totem Park until it was moved to the new Museum of Anthropology building in 1975.

Scaffolding surrounds a totem pole

A scaffolding surrounds a totem pole that is being moved from Totem Park to the new Museum of Anthropology building. Staff wrap the pole in padding. The totem pole was originally carved by Charlie James and was later restored by Mungo Martin.

Scaffolding surrounds a totem pole

A scaffold surrounds a totem pole in preparation for moving it from Totem Park to the new Museum of Anthropology. This pole was carved by George Hunt Sr. The pole is now part of the museum's collection.
This pole was originally carved for the Edward S. Curtis film "In the Land of the War Canoes" which was originally titled "In the Land of the Head Hunters." The pole was repaired and re-painted by carvers Ellen Neel in 1949 and Mungo Martin in 1950-51. It stood at Totem Park, UBC Campus until it was re-located to the Museum's Great Hall in 1976.

Scaffolding surrounds a totem pole

Scaffolding surrounds a totem pole standing in Totem Park in preparation for moving it to the new Museum of Anthropology building. This pole was carved by Mungo Martin and later restored by him at the University of British Columbia in 1950-51. It stood in Totem Park until it was moved to the new Museum of Anthropology building in 1975.

Scaffolding surrounds a totem pole

A scaffold surrounds a totem pole in preparation for moving it from Totem Park to the new Museum of Anthropology. This pole was carved by George Hunt Sr. The pole is now part of the museum's collection.
This pole was originally carved for the Edward S. Curtis film "In the Land of the War Canoes" which was originally titled "In the Land of the Head Hunters." The pole was repaired and re-painted by carvers Ellen Neel in 1949 and Mungo Martin in 1950-51. It stood at Totem Park, UBC Campus until it was re-located to the Museum's Great Hall in 1976.

Scaffolding surrounds two totem poles

Scaffolding surrounds two totem poles in totem park in preparation for moving them from Totem Park to the new Museum of Anthropology building. The pole on the viewer's right was originally carved by Charlie James and later restored by Mungo Martin. The pole on the viewer's left was carved by Mungo Martin and later restored by him in 1950-51. Both poles stood in Totem Park from 1951 until they were moved to the new Museum of Anthropology building in 1975.

Scaffolding surrounds two totem poles

Scaffolding surrounds two totem poles in totem park in preparation for moving them from Totem Park to the new Museum of Anthropology building. The pole on the viewer's right was originally carved by Charlie James and later restored by Mungo Martin. The pole on the left was carved by Mungo Martin, and restored by him in 1950-51.

Special events

Subseries consists of files relating to nine special events: the Indian Costume Show (1950), Open House Day (1955), the opening of Totem Park, the Henry Speck (Ozistalis) show (1964), a talk given on aboriginal medicine (1966), Bill Holm’s Indian Dance Group (1967), the opening ceremony for the new museum (1974-1979), the Raven Celebration (1980), the ‘Ksan Poleraising (1980-1981), and the dedication of the museum doors (1976). The records in this subseries consist of correspondence, newspaper clippings, memoranda, photographic negatives, ephemera, plans, budgets, financial statements, receipts, a copy of the June 9, 1976 edition of UBC Reports, and a copy of Canadian Art Review VI/I/1979.

Staff discuss moving totem poles from Totem Park

Museum of Anthropology staff discuss moving a totem pole from Totem Park to the new Museum of Anthropology building. Michael M. Ames is the figure second from the viewer's right. The totem pole in the background was carved by Mungo Martin and restored by him at UBC in 1950-51.

Staff wrapping a totem pole in padding

Workers stand on a scaffold to wrap a totem pole in padding to prepare it for being moved from its position in Totem Park to the new Museum of Anthropology building. This totem pole was originally carved by Charlie James and later restored by Mungo Martin.

Staff wrapping a totem pole in padding

Workers stand on a scaffold to wrap a totem pole in padding to prepare it for being moved from its position in Totem Park to the new Museum of Anthropology building. This totem pole was originally carved by Charlie James and later restored by Mungo Martin.

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