Dance of Mabu and Lion Pongsan dance
- 110-5-3-3-a035753
- Stuk
Dancers perform what appears to be the dance of Mabu and Lion from Pongsan dance
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Dance of Mabu and Lion Pongsan dance
Dancers perform what appears to be the dance of Mabu and Lion from Pongsan dance
Two performers from the Jin Wah Sing Musical Association perform at a UBC Open House
Jin Wah Sing performance with props
Members of the Jin Wah Sing Musical Association pose with props
Archer Mayling interacts with an audience member in "A Rattling Under Glass"
Archer Mayling interacts with an audience member while playing the part of Itch in "A Rattling Under Glass", an interpretive program for school groups visiting the museum adapted from a potlatch story
A Rattling Under Glass, performance in the Great Hall
Archer Mayling and Monique Mojica perform in "A Rattling Under Glass", an interpretive program for school groups visiting the museum adapted from a potlatch story
Archer Mayling in a glass box in "A Rattling Under Glass"
Archer Mayling stands in a glass box as Itch while Monique Mojica stands outside the box as Coyote during a performance of "A Rattling Under Glass", an interpretive program for school groups visiting the museum adapted from a potlatch story
A costumed performer in the Great Hall
A costumed performer stands in the Great Hall with the audience in the background
Fabric set pieces from an Evelyn Roth performance in the Great Hall
A performer wearing a bird costume in the Great Hall
Garbanzo the clown surrounded by children during a performance
Garbanzo and another performer during a performance
Garbanzo performs with another performer using a TV set piece and playing a drum
A costumed performer at a microphone and audience
A costumed performer stands behind a podium with a microphone with the audience in the background
Museum of Anthropology Annual Report 2009-2010
The report outlines the museum's activities and finances for the previous fiscal year, including listing staff, attendance figures, acquisitions, exhibitions, educational activities, public programming, events, loans, research projects, and publications of the museum and its staff. It includes a description of the conclusion of the Partnership of Peoples renewal project and related initiatives such as the Multiversity Galleries, the Reciprocal Research Network, MOACAT, the Audrey & Harry Hawthorn Library & Archives, and the Laboratory of Archaeology.
MOA Magazine, Issue 05, Summer 2018
This issue contains articles on current and upcoming exhibitions, an award for Traces of Words: Art and Calligraphy from Asia, renovations, MOA Journeys, donors Elspeth McConnell and Dr. Margaret (Marmie) Perkins Hess, the UBC Indigitization Program, highlights from the Multiversity Galleries, the BC Heritage Response Network for emergency and disaster response, artist-in-residence Debra Sloan, the donation of a South Pacific collection belonging to Reverend George Stallworthy, and an interview with Sharon Haswell, MOA Shop Manager.
MOA Magazine, Issue 06, Fall 2018
This issue contains articles on current and upcoming exhibitions, Great Hall seismic upgrade renovations, Carol E. Mayer's trip to the island of Erub, volunteer Marcie Powell's work on textiles, contemporary art in the Multiversity Galleries, Debra Sparrow's weaving at the museum, the raising of a new Raven Pole at Wuikinuxv Village, the Volunteer Associates enrichment trip, the Native Youth Program, and an interview with Ann Stevenson, retiring Information Manager.
Part of Harry B. Hawthorn fonds
Image from the move of totem poles to the Museum of Anthropology in 1975.
Part of Harry B. Hawthorn fonds
Part of Harry B. Hawthorn fonds
MOA Magazine, Issue 08, Fall 2019
This issue contains articles on current and upcoming exhibitions, the Great Hall seismic upgrades, the UBC President's Staff Award for Community Engagement recipient Salma Mawani, the beginning of a project to decolonize MOA's Africa collections, funding from Canadian Heritage's Museum Assistance Program, Playing with Fire: Ceramics of the Extraordinary, the history of the museum and the Hawthorns, fast fashion and sustainable textiles, highlights from the Multiversity Galleries, the return of a Haida mortuary pole, the Native Youth Program, the MOA shop, artist-in-residence Sharon Reay, and the MOA Director's Advisory Council.
A perfomer in a Tengu mask stands next to a drum in the Great Hall with audience members in the background