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Part of Gillian Darling Kovanic fonds
Audio of Chau Maus 1976, Chanja Chiōpă.
Side 1 - this entire side records the climax of the winter solstice festival, when the Prophet Messenger God, Balumein is sent back to Nuristan until next year. See Field Note Book# 1 pp.8-15 for translations.
Part of Gillian Darling Kovanic fonds
Audio of Bamboret, Lawak Birik, Daok Tatu. "Bomboret" refers to Bumburet valley, Chitral District, Khyber Pakhtunkhwa province, Pakistan.
Side 1 - dance songs by women vocalists, recorded on the day after the climax of the winter solstice festival. This is a day of mime, play, & role reversals (men in.women's dress and vice versa). See Field Book # 1 pp 85-86 for translations.
Part of Gillian Darling Kovanic fonds
Audio of Rombour Chutiyak Joeshi Daginei, Rombour Uchow. 4th of 4 tapes.
Side 1 - The final dance celebrations of the Spring festival Zoeshi (Zoe-shi) in Rombour Valley. Includes the important song Daginai (Da-gin-ai), which can be found at digital counter reading [224]. For translations of this song, see Field Book #3 pp. 129-133. Tape is blank from [236] on.
Part of Gillian Darling Kovanic fonds
Audio of Bomboret Joeshi.
Side 1 - myth of how the Kalash god Mahaneo won Bomboret Valley over the god Balumein. See Field Book #3 pp. 31-36 for translations.
Side 2 - examples of women's voices and fast dance music. See Field Book #3 pp 41-46 for translations.
Part of Gillian Darling Kovanic fonds
Audio of Bomboret Rat Nat. "Bomboret" refers to Bumburet valley, Chitral District, Khyber Pakhtunkhwa province, Pakistan.
Part of Gillian Darling Kovanic fonds
Audio of Rombour Uchow.
Side 1 - love song by Kush Hawaz at digital counter [350]. Nawaz was the most talented orator in all 3 Kalash Valleys (Balereh clan, Balanguru village, Rombour Valley). See Field Note Book #4 pp. 57 for translation.
Part of Gillian Darling Kovanic fonds
Tape #C of Rombour Uchow, from set of 4 tapes.
Side #1 only.
Part of Gillian Darling Kovanic fonds
Tape #A, first in set of 4 tapes.
Side 1 - The first song is the Kalash women's theme song for the “bira mor" "sacred male goat sacrifice merit feast". For translations see Book #5 pp. 213. Also on Side 1, 3/4s of this side is a discussion between the powerful men of Rombour Valley deciding who should be presented gifts at the feast; see Field Book #5 pp. 221-229 and Book #6 pp. 18-35 for translations.
Part of Gillian Darling Kovanic fonds
Side 1- Kalash flute music by Rahim Bek, Drame-se clan, Rombour.
Part of Gillian Darling Kovanic fonds
Side 1 - first 4 songs are love songs sung by a woman in the epic style called drazaiylik (dra-zaiy-lik, aka drazeiylik), which focus on social history. Followed by "Khutabar." See Field Book #3 pp. 174-176 for translations.
Tape #34a grazeland + conversion to Islam
Part of Gillian Darling Kovanic fonds
Audio of discussion on graze land (land grazing) and conversion to Islam.
From cassette label: 1/2 discussion lost - so some of side A goes with side B
Accompanying documentation for audio tapes
Part of Gillian Darling Kovanic fonds
Includes documentation from Gillian Darling Kovanic related to audio tapes in this collection.
Thirty-nine military personnel with rifles posing outdoors
Part of Eric Parker fonds
Item is a print of thirty-nine military personnel posing outdoors with rifles in the foreground; trees and mountain in background
MOA Magazine, Issue 08, Fall 2019
This issue contains articles on current and upcoming exhibitions, the Great Hall seismic upgrades, the UBC President's Staff Award for Community Engagement recipient Salma Mawani, the beginning of a project to decolonize MOA's Africa collections, funding from Canadian Heritage's Museum Assistance Program, Playing with Fire: Ceramics of the Extraordinary, the history of the museum and the Hawthorns, fast fashion and sustainable textiles, highlights from the Multiversity Galleries, the return of a Haida mortuary pole, the Native Youth Program, the MOA shop, artist-in-residence Sharon Reay, and the MOA Director's Advisory Council.
Part of MOA General Media collection
Bentwood boxes in the Museum of Anthropology's old location in the library basement. It appears these are being packed to be moved to the Museum of Anthropology's new location.
Bentwood boxes and other items
Part of MOA General Media collection
Bentwood boxes, a feast dish lid, and several masks and headdresses in the Great Hall or at the Crossroads in the Museum of Anthropology. These items may have been placed here temporarily as items were being moved into the new museum space.
Part of MOA General Media collection
Illustration of the use of kerfs in order to bend wood. This image may have been from an exhibit at the old Museum of Anthropology dealing with Northwest coast technology.
Part of MOA General Media collection
A bentwood box by Charles Edenshaw. The museum catalogue number on the slide label is incorrect and should read A9416. This photograph may be from an exhibit at the old Museum of Anthropology dealing with Northwest coast technology.
Part of MOA General Media collection
Image of a bentwood box by Charles Edenshaw. This photograph may be from an exhibit at the old Museum of Anthropology dealing with Northwest coast technology.