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Subseries consists of records relating to the Museum’s relationship with the Ming Pau Newspaper. In particular the records focus on funding given to the Museum by the newspaper for the 1993 homecoming event and an exhibition review done by the paper. The records include notes, correspondence and a photocopy of a newspaper page.

Subseries consists of one file of correspondence and notes relating to a proposed exhibition of Peruvian artifacts in conjunction with the Canadian Cultural Property Export Review Board.

Subseries consists of records pertaining to collections’ administrative and operational functions, and to committees associated with the acquisition and collection of materials and artifacts. Records include acquisition guidelines drafts, acquisition policy memoranda, acquisitions professional guidelines policy, Anthropology 431 syllabus, area committee records, articles, budgets, cataloguing procedures, collections policy drafts, collections procedures, collections reports, collections surveys, condition reports, correspondence, deaccessioning policy draft, draft guidelines, draft code of ethics, draft policies, ethnology collection storage statistics, executive committee records, job description, job posting, insurance, loan forms, memoranda, minutes, notes, object lists, professional guidelines, project overviews, research notes, transcripts of research interviews, and workshop for curators outline.

Subseries consists of records relating to staff retreats from 1978 to 1982. The records included in this series are notes.

Subseries consists of records relating the course Anthropology 431 Museum Principals and Methods which Elizabeth Johnson taught regularly between 1993 and 2002. Records in the series include notes and lecture notes, correspondence, syllabi, contracts bibliographies, course description grading schemes, history of the University of British Columbia and the Museum of Anthropology’s massive carvings, artifact list, acquisition background information form, and Elizabeth Johnson’s short biography.

The records in this subseries relate to an exhibit that was developed by MOA in conjunction with the Tibetan Cultural Society, the Canada Tibet Committee, and Women Working for a Free Tibet. Subseries consists of 1 file of correspondence, memos and exhibit labels.

Subseries consists of records pertaining to the management of the textiles collections held at the Museum of Anthropology. Areas of focus include records on conservation, storage, and display of textiles. Records include: correspondence, drafts of reports, reports, roll checking reports, notes, visible storage diagrams, drafts of procedures, textiles lists, budgets, textile project update report, invoices, membership lists, business cards, schedules of events, clothing and textile reports, vendor product brochures and lists, textile conservation workshop evaluations, applications for funding, textile conservation workshop programme records, invitation cards, a textile conservation portfolio, Textile Committee records, storage plans, conservation assessment reports, a proposal for a textile storage system, object descriptions, material samples, requisition forms, textile research project questionnaires, receipts, Clothing and Textile Collection history, flyer, recommendations, newspaper article, course list, grant applications, grant guidelines, assessments, brochure, notes, and meeting transcript.

Subseries consists of records relating to a work shop for curators of Korean art. This work shop was held in Seoul, Korea and the consequently elements of this file relate to travel arrangements. Records in this series are comprised of correspondence and notes.

Subseries consists of records relating to two exhibits installed at MOA, in partnership with the Chinese Cultural Centre (CCC) and supported by a grant from the Festival Hong Kong 1992 Committee. "Contrasts: Hong Kong's New Territories in the Twentieth Century" is a photographic exhibit. It opened in Nov 1992, and continued in the lobby at MOA until May 23 1993. "Possessions from the Past" is an exhibit of Hakka artifacts. It opened in Nov 1992, and continued in the lobby at MOA until Mar 14 1993. Elizabeth Johnson was both curator and coordinator for these exhibits. They were also installed at the Chinese Cultural Centre. Subseries includes budgets, completed application form, CHIN printouts, contact lists, correspondence, draft exhibit proposal, final report, invitations, memos, name lists, notes, photographic negatives, receipts, and speaking notes.

Subseries consists of records relating to a joint project of the Vancouver Art Gallery and the Museum of Anthropology to send a travelling exhibition of Emily Carr’s work and related material on a tour of Asia. The records consist of correspondence, financial records, invitations, 2 maps, business cards, reports, newspaper photocopies, itineraries and memoranda.

Subseries consists of records relating to miscellaneous financial bequests to the museum with a particular focus on the Fyfe-Smith bequest. Records in the series include minutes, a portion of the Fyfe-Smith will, and correspondence.

Subseries consists of one file of correspondence, notes, exhibit proposal, relating to a proposed exhibition of Chinese women’s dress in the twentieth century.

Subseries consists of one file of correspondence, memos, notes, 3 contact sheets accompanied by negatives relating to a proposed exhibition of textile from Tibet and Turkistan.

Subseries consists of records relating to various researchers, assistants and other temporary employees under Elizabeth Johnson’s charge. Records in the series include notes, correspondence and contracts.

Subseries consists records relating to the exhibit "Translations of Traditions: Joanna Staniszkis’ Recent Work". The exhibit was co-curated by Louise Jackson and Elizabeth Johnson of MOA, with Johnson acting as exhibit coordinator. It was installed in Gallery 5 at MOA from Feb 18 to May 24, 1992. Joanna Staniszkis is an internationally known Canadian textile artist. Records include: agreements, articles from newspapers and professional journals, brochures, budget, CHIN artifact list printout, conference speaking notes, correspondence, drafts of text for the didactic panels, exhibit diagram, flyer, final report, funding application, memos, notes, permission forms, phone message, a student paper, slides and a timeline.

Subseries consists of records relating to planning for MOA’s fiftieth anniversary celebrations. The records in this file consist of notes, minutes, memoranda, correspondence, agendas, events schedules, requests for funds.

Subseries consist of records relating to work done by Volunteer Associates primarily dealing with aspects of collections management. Areas of focus include records associated with collections management. Records include correspondence, instruction sheets, photographs, and reports.

Subseries consists of records relating to a lecture on the Cantonese opera given by Elizabeth Johnson. Records in this series are comprised of ephemera, correspondence, notes, syllabi, memoranda, course list, course transaction report, and photocopied book chapters.

Subseries consists of one file of memos and notes relating to various undeveloped ideas for exhibition of material drawn from the museums textile collection.

Subseries consist of records relating to the acquisition of photographs by, or of the Haida artist Francis Williams. Records include correspondence and notes.