Showing 126 results

Subseries consists of images of various items from the Chinese Cultural Centre exhibition.

Subseries consists of photographs and negatives of the Greek and Roman exhibition.

Subseries consists of a program and information related to a basket weaving exhibit held at the Bellevue Arts Museum called American Indian Baskets: Trees, Reeds and Grasses.

Subseries contains binders of copies of images that McLennan has ordered, and some cases paid for, from other institutions, in addition to some that he has taken himself. He has arranged them in binders according to culture. He created these binders as an easy reference system for faculty, students, community members, and artists to use when identifying and comparing cultural artistic styles, and traditional customs. First Nations included in the culture photographs include: Tsimshian, Haisla, Kwakwaka’wakw, Northern First Nations, Ktunaxa, Kinbasket, Okanagan, Salish, Tlingit, Tahltan, Tsilhqot’in, Secwepemc, Stl’atl’lmx, Nlaka’pamux, Heiltsuk, Nuxalk, Oweekeno, Gitxsan, Haida, Nuu-chah-nulth and Nisga’a. A file also pertains to differentiating between different styles of canoes.

Subseries contains images of objects and the exhibit.

Subseries contains images showing the exhibit.

Subseries contains two photographs related to the Dress and Identity exhibit.

Subseries consists of photographs documenting various Sunday programs at the MOA and the children attending them. Programs include those for the visually impaired, related to visible storage, related to Japanese heritage and culture, the Punch and Judy show, Evelyn Roth’s giant salmon and others that are unidentified. Photographs were taken by McLennan, Jean Hamilton and Stephen Inglis.

ref # 1-2-A

Subseries consists of images showing artwork from the exhibit <i>Images of LIfe: 50 000 Years of Japanese History</i> and a copy of the proposal for the exhibition (in the form of an illustrated booklet).

Subseries contains images of an exhibit at the Prince Rupert Museum featuring works by Norman Tait.

Subseries consists of images of the artist who created Ukrainian Easter eggs for the exhibit <i>Symbol of New Hope: The Ukrainian Easter Egg</i>

Subseries contains images of objects in the exhibit <i>The Legacy: Continuing Traditions of Northwest Coast Indian Art.</i> This exhibit was held November 25, 1981 - August 31, 1982. In addition are photographs of the exhibit opening.

Subseries contain the images used in the Museum Notes booklet titled Totem Poles: An illustrated Guide by Marjorie M. Halpin, as well as a copy of the booklet.

ref # 1-1-A

Subseries contains images of a serigraph print created in 1971 by Joe David. The print is titled Ka-Ka-Win-Chealth (Transformation of white wolf into killer whale).

Subseries consists of photographs documenting the carving of a totem pole by Jim Hart for MOA. The slides document the entire process of carving from start to finish. The totem pole is listed as the House Frontal Totem Pole on the MOA catalogue, carved by artist Jim Hart, purchased by MOA, and raised on October 12, 1982. McLennan noted that the pole was carved based on fragments of an old pole which came to MOA in 1948. These fragments remain in a carving shed.

Subseries contains images of people working in the Museum of Anthropology collections installing the exhibit On Stony Ground.

Subseries consist of images showing a beaded object, possibly associated with the 1982 exhibition Beads: Selections from the Textile Collection of the Museum of Anthropology.

Subseries contains images of objects in the exhibit Sensibilities: Unsuspected Multicultural Harmonies which ran at the Museum of Anthropology from October 26 1982 – April 17, 1983.

Subseries contains images of the student exhibit titled <i>Show and Tell: The Story of the Big Mac Box</i> as well as negatives of the text panels for the exhibit. Students were part of the Anthropology 431 (Museum Principles and Methods) class.

Subseries contains images of objects in the exhibit <i>The Copper That Came Down From Heaven</i>. Objects include masks and sculptures,