Tupilaq: Greenland spirit carvings
- 1-1-S
- Sub-séries
- 1984
Subseries contains images of objects shown in the exhibition titled Tupilaq: Greenland Spirit Carvings held at the Museum of Anthropology March 4th 1984. The carvings are by Anton Utuak.
Tupilaq: Greenland spirit carvings
Subseries contains images of objects shown in the exhibition titled Tupilaq: Greenland Spirit Carvings held at the Museum of Anthropology March 4th 1984. The carvings are by Anton Utuak.
Subseries consists of images showing objects exhibited during the exhibit titled Museum Quality. This exhibit was purchased for the Museum’s permanent collection by the Anthropology Shop Volunteers. Photographs were taken by Moya Waters.
Subseries contains images of exhibit curated by students from Anthropology 431 course.
Robert Davidson “Raven” opening
Subseries contains images of Robert Davidson unveiling his work titled Raven Bringing Light to the World.
Subseries contains images of textiles used in the exhibit <i>Ancient Cloth...Ancient Code?</i>.
Subseries contains images of an artist.
File contains images of artifacts made of cedar, including baskets, hats, fishing tools, bentwood boxes and totem poles.
Sin título
Subseries consists of three slides of a Northwest Coast art piece with a caption reading, "A traveling exhibition of contemporary Kwakiutl art by the National Museum of Man."
Subseries consists of images of the Blood from a Stone exhibit.
Subseries contains records related to an exhibit on Northwest Coast metals developed by McLennan in collaboration with two anthropology students. Records include exhibit design notes including case arrangements, the exhibit proposal from the students, correspondence regarding the exhibit preparations, research regarding Northwest Coast metal works and photographs depicting various artifacts that would be included on display.
Sub-series consists of textual records of the two-man show of art by Lyle Wilson and Doug Cranmer, two native artists of the region. Includes biographies of the artists, the opening speech from the exhibit, a news release and a museum brochure.
Sub-series consists of textual records from the one-man show of Northwest Coast First Nations artist Robert Davidson. Records include exhibit correspondence, newspaper articles and a copy of the Canadian Conservation Institute Journal (vol. 3, 1978) that contains an article by Davidson.
Parte deCarol Mayer fonds
Parte deCarol Mayer fonds
Parte deCarol Mayer fonds
Fragments: The E. Sonner Donation of African Sculpture
Parte deCarol Mayer fonds
Savage Graces: “After Image” by Gerald McMaster
Parte deCarol Mayer fonds
Parte deCarol Mayer fonds
Eulachon - A Fish to Cure Humanity, The Grease Trails
Parte deCarol Mayer fonds
Parte deCarol Mayer fonds