- 1-1-BBB
- Sub-séries
- [198-]
Parte de William McLennan (MOA Curator) fonds
Subseries consists of photographs and negatives of the Greek and Roman exhibition.
Parte de William McLennan (MOA Curator) fonds
Subseries consists of photographs and negatives of the Greek and Roman exhibition.
The world of spirits: Igbo masks
Parte de William McLennan (MOA Curator) fonds
Subseries contains images of objects and the exhibit.
Parte de William McLennan (MOA Curator) fonds
Subseries contains images showing the exhibit.
Parte de William McLennan (MOA Curator) fonds
Subseries contains two photographs related to the Dress and Identity exhibit.
Images of life: 50,000 years of Japanese pre-history
Parte de William McLennan (MOA Curator) fonds
Subseries consists of images showing artwork from the exhibit <i>Images of LIfe: 50 000 Years of Japanese History</i> and a copy of the proposal for the exhibition (in the form of an illustrated booklet).
Parte de William McLennan (MOA Curator) fonds
Subseries contains images of an exhibit at the Prince Rupert Museum featuring works by Norman Tait.
Parte de William McLennan (MOA Curator) fonds
Subseries consists of images of the artist who created Ukrainian Easter eggs for the exhibit <i>Symbol of New Hope: The Ukrainian Easter Egg</i>
Parte de William McLennan (MOA Curator) fonds
Subseries contains images of objects in the exhibit <i>The Legacy: Continuing Traditions of Northwest Coast Indian Art.</i> This exhibit was held November 25, 1981 - August 31, 1982. In addition are photographs of the exhibit opening.
Prints exhibition: Roy Hanuse, Joe David, and Art Thompson
Parte de William McLennan (MOA Curator) fonds
Subseries contains images of a serigraph print created in 1971 by Joe David. The print is titled Ka-Ka-Win-Chealth (Transformation of white wolf into killer whale).
Parte de William McLennan (MOA Curator) fonds
Subseries contains images of people working in the Museum of Anthropology collections installing the exhibit On Stony Ground.
Parte de William McLennan (MOA Curator) fonds
Subseries consist of images showing a beaded object, possibly associated with the 1982 exhibition Beads: Selections from the Textile Collection of the Museum of Anthropology.
Parte de William McLennan (MOA Curator) fonds
Subseries contains images of objects in the exhibit Sensibilities: Unsuspected Multicultural Harmonies which ran at the Museum of Anthropology from October 26 1982 – April 17, 1983.
McDonald’s exhibit (Big Mac box)
Parte de William McLennan (MOA Curator) fonds
Subseries contains images of the student exhibit titled <i>Show and Tell: The Story of the Big Mac Box</i> as well as negatives of the text panels for the exhibit. Students were part of the Anthropology 431 (Museum Principles and Methods) class.
The copper that came down from heaven
Parte de William McLennan (MOA Curator) fonds
Subseries contains images of objects in the exhibit <i>The Copper That Came Down From Heaven</i>. Objects include masks and sculptures,
Calendar prints: Popular art of South India
Parte de William McLennan (MOA Curator) fonds
Subseries consists of images of artworks from Southern India.
Parte de William McLennan (MOA Curator) fonds
Subseries consists of images showing objects exhibited during the exhibit titled Museum Quality. This exhibit was purchased for the Museum’s permanent collection by the Anthropology Shop Volunteers. Photographs were taken by Moya Waters.
Parte de William McLennan (MOA Curator) fonds
Subseries consists of images of the Blood from a Stone exhibit.
Parte de William McLennan (MOA Curator) fonds
Subseries contains images of masks and of the opening ceremony.
Parte de William McLennan (MOA Curator) fonds
Subseries contains images of exhibit.
Parte de William McLennan (MOA Curator) fonds
Subseries contains images of the exhibit and objects in the exhibit <i>Hidden Dimensions: Face Masking in East Asia</i>. Photographs were taken by Moya Waters.