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Subseries contains images of exhibit.

Subseries contains images of robes and saddle.

Subseries contains images of objects in the exhibit <i>The Legacy: Continuing Traditions of Northwest Coast Indian Art.</i> This exhibit was held November 25, 1981 - August 31, 1982. In addition are photographs of the exhibit opening.

Subseries consists of images showing artwork from the exhibit <i>Images of LIfe: 50 000 Years of Japanese History</i> and a copy of the proposal for the exhibition (in the form of an illustrated booklet).

Subseries contains images of a carved spindle whorl.

Subseries contains images of objects and the exhibit.

Subseries contains images of paintings by John Laford.

Subseries consists of photographic slides of the Where are the Children? Healing the Legacy exhibition held from June to December of 2002.

Subseries contains records related to the <i>Where are the Children?</i> exhibit held by MOA. Curated by Jeff Thomas, and circulated by the Aboriginal Healing Foundation in Ottawa, this exhibition presented a series of historical photographs documenting the history of residential schools in Canada. The records include correspondence related to exhibit loans, temporary exhibit preliminary and finalized designs and a reference manual for setting up the exhibition.

Subseries consists of records relating to the <i>Through My Eyes</i> exhibit held at the Museum of Vancouver. The exhibit is a collaborative effort curated by 27 First Nations people of different Northwest Coast communities allowing them to “present their personal perspective” of their culture and its objects. McLennan was involved through managing the development, production and implementation of this collaborative effort. Records include photographs and slides of potential exhibit artifacts, media reviews, student paper reviews, exhibit project statements, transcripts of interviews done with First Nations artists, correspondence, consent forms for interviews and audio cassettes of the taped interviews which detail McLennan discussing various pieces of First Nations art with several artists.

This subseries consists of records related to the traveling exhibit that came to MOA called <i>Treasures of the Tsimshian from the Dundas Collection.</i> Records include draft correspondence, and draft exhibit photos and text (including case labels).

Subseries contains the booklet produced as part of the Museum Notes program at the Museum of Anthropology titled Bill Reid: Beyond the Essential Form written by Karen Duffek.

This subseries contains images shown in the exhibit <i>Anonymous Beauty</i> curated by Miriam Clavir. This exhibit was on the Japanese handmade paper collection housed at MOA. In addition are 4 transparencies of the exhibit text.

This subseries contains images shown in the exhibit The Third Eye curated by Audrey Mackay Shane.

Subseries consists of images taken in the great hall at the Museum of Anthropology showing an exhibit titled Chronicles of Pride. Patricia Richardson Logie participated as an artist showing her portrait of Blanche MacDonald.

Subseries includes photographs taken by JL Gyssen of Grecian Urns.

Subseries contains images of the exhibit and objects in the exhibit <i>Hidden Dimensions: Face Masking in East Asia</i>. Photographs were taken by Moya Waters.

Subseries consists of images from the exhibition When World Collide.

Subseries contains images of the student exhibit titled <i>Show and Tell: The Story of the Big Mac Box</i> as well as negatives of the text panels for the exhibit. Students were part of the Anthropology 431 (Museum Principles and Methods) class.

Subseries contains images of objects in the exhibit <i>The Copper That Came Down From Heaven</i>. Objects include masks and sculptures,