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Pole of Gurhsan, Gitsegyukla

Image depicts a totem pole erected in a farming area. It stands behind a rail fence and in front of a wooden barn. Read's notes state: "The Owl, or Grave-of-Gurhsan, form representation of the mythic owl. The pole dates from about 1913, was carved by Arthur Wilson, of Larksail phratry."

Pole of Mawlarhen, close up

Image depicts a close up of a totem pole, depicting the face of a human-like figure at its base. Read's note indicates this is the Pole of Mawlarhen at Gitsegyukla. "Raven at top; half pole uncarved; then large eagle, with folded wings; sitting frog; frog hanging with head down; bottom, the Man of the Comb whose hands, raised with palms forward are like native combs. Pole c1925, was about 40 years old. Erected to commemorate Mawlarhen and his sister Poking Bullhead. Carver local artist, Jimmy Good of the Fireweed phratry." See also item a034838 for another view of this pole.

William Carr fonds

  • 86
  • Fundo
  • [1949 or 1950]

The fonds consists of black and white photographs and negatives. Subjects depicted include villages, boats and ferries, landscapes, bridges, logging clearcuts, and totem poles. Some of the photos appear to be of the Lions Gate Bridge, Stanley Park, and the Capilano Suspension Bridge.

Sem título

Alert Bay memorial pole

Image of a memorial pole at Alert Bay. Inscription at the bottom held by the figure reads "In loving memory of Tlaowa Latle of the Qiowasudinuk (Kwakwaka'wakw: Kwikwasut'inuxw) Tribe. Died Nov. 9 [rest of inscription illegible].

Sem título

Interview with Bill Reid about Celebration of the Raven Part 1

Item is the first of a three part sound recording of an interview with Bill Reid about the origins of his carving The Raven and the First Men, located at MOA. The interviewer is unknown. During the interview Bill Reid discusses how the sculpture was the result of a highly collaborative process involving other artists, his impression of the location of the carving in MOA, and his working relationship with Walter C. Koerner who commissioned the sculpture. He lastly discusses his representation and interpretation of the Haida legend that the carving is based on. This recording is part of Celebration of the Raven which documented the creation of the Raven and the First Men Sculpture, its relocation to the Museum of Anthropology, and the unveiling by the Prince of Wales in 1982.

Haida singing Reel No. 3

Item is an audio recording of women and men singing Haida songs with drum and rattle accompaniment. There is no speaking in between songs.

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