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Image depicts carving a canoe outdoors. Both Douglas Cranmer and Godfrey Hunt are pictured working on the Nootka canoe.

Image depicts carving a canoe outdoors. Both Douglas Cranmer and Godfrey Hunt are pictured working on the Nootka canoe.

Image depicts a man, probably Douglas Cranmer, in the early stages of carving the St. Catherines, Ontario totem pole. The pole is outside. He is preparing to use a chain saw to make the early cuts to a pole. Markings are visible, showing where he will cut.

Image depicts Douglas Cranmer in the early stages of carving the St. Catherines totem pole. The pole is outside.. He is using an adze to make early cuts on a pole.

Photograph of a set of totem poles that will become part of the longhouse in Alert Bay, BC. These poles were carved and raised before the rest of the structure.

Photograph of three men carving totem poles that would become part of the bighouse in Alert Bay, BC.

Image of an unidentified carving at the Museum of Anthropology at the University of British Columbia.

Image of an unidentified carving at the Museum of Anthropology at the University of British Columbia.

Photograph depicts a number of carvings that are on display in what appears to be either a store or a house.

Image of carvings in a storage area at the Museum of Anthropology at the University of British Columbia.

Portrait of Cecilia John. She is pictured on page 99 of Carter's book "From History's Locker," with the caption: 'Teh is um'. Cecelia John, 83 yrs, Nootka name, 'Mo ah chat."

Portrait of Cecilia John. She is pictured on page 99 of Carter's book "From History's Locker," with the caption: 'Teh is um'. Cecelia John, 83 yrs, Nootka name, 'Mo ah chat."

Portrait of Cecilia John. She is pictured on page 99 of Carter's book "From History's Locker," with the caption: 'Teh is um'. Cecelia John, 83 yrs, Nootka name, 'Mo ah chat."

Two poles in mid-ground mixed with cross-bearing grave marker at proper right foreground

Image depicts a totem pole in Masset, Haida Gwaii, B. C. Inscribed on the image is "totem Poles, Massett [sic] Q. C. I." Handwritten inscription below the image reads "R. Maynard, Artist". Handwritten inscription on the verso reads "Charles Edenshaw in prov. museum." Printed on the verso Is the photographer information in the inscription "R. MAYNARD, PHOTOGRAPHIC ARTIST and Dealer in All Kinds of Photographic Materials. Stereoscopic and Large Views of British Columbia and Vancouver Island for Sale. Cor. Douglas & Johnson Streets, Victoria, B. C."

Image is portrait of Charles Edenshaw leaning on frontal house post in Skidegate, Haida Gwaii, B. C. Inscribed on the image is "Indian Totem Poles at Skidegate Q. C. I." Handwritten inscription below the image reads "R. Maynard, Artist". Handwritten inscription on the verso reads "Charles Edenshaw in prov. museum." Printed on the verso Is the photographer information in the inscription "R. MAYNARD, PHOTOGRAPHIC ARTIST and Dealer in All Kinds of Photographic Materials. Stereoscopic and Large Views of British Columbia and Vancouver Island for Sale. Cor. Douglas & Johnson Streets, Victoria, B. C."

Image of totem pole carved by Charles James.

The pole was re-adzed and re-painted by Kwakwaka'wakw carver Mungo Martin before shipping to UBC in 1947. Repainted and repaired by Ellen Neel (1949) and by Mungo Martin (1950-51). It stood at Totem Pole Park, UBC Campus until it was re-located to the Museum's Great Hall ca. 1976.

The Charlie James totem pole being moved from Totem Park as part of its relocation to the new Museum of Anthropology building.

The Charlie James totem pole being moved from Totem Park as part of its relocation to the new Museum of Anthropology building.

The Charlie James totem pole being moved from Totem Park as part of its relocation to the new Museum of Anthropology building.