The mortuary house being reassembled
- 132-1-C-A-a040613
- Item
- 1978?
Parte deMOA General Media collection
Image shows the mortuary house while it was being reassembled.
The mortuary house being reassembled
Parte deMOA General Media collection
Image shows the mortuary house while it was being reassembled.
Parte deMOA General Media collection
Haida house, a house frontal totem pole, a mortuary pole, and the Wasgo sculpture, standing in Totem Park.
Doug Cranmer carving frontal plate Haida pole
Parte deMOA General Media collection
Doug Cranmer carving the frontal plate of what was likely a double mortuary pole at UBC in 1962.
Double mortuary pole at totem park
Parte deMOA General Media collection
Double mortuary pole carved by Bill Reid and Doug Cranmer standing in totem park at UBC.
Bill Reid's pole at UBC Totem Park
Parte deMOA General Media collection
Section of the mortuary totem pole carved by Bill Reid and Doug Cranmer for the Haida House complex at Totem Park.
Bill Reid and Doug Cranmer carving
Parte deMOA General Media collection
Bill Reid and Doug Cranmer carving the dogfish panel for the double mortuary pole to be placed near the Haida House in Totem Park.
Parte deHarry B. Hawthorn fonds
Image of Doug Cranmer and another person (likely Roy Hanuse) carving a totem pole at the University of British Columbia.
Mosquito Totem Pole, top close up
Parte deVirginia Kehoe fonds
Image depicts a close up view of the top of a totem pole carved by Doug Cranmer featuring a mosquito. This pole stood in Deep Cove, BC before being moved to the Glenbow Museum in Calgary, Alberta. Views of this pole can be seen in items a034459 - a034467.
Parte deVirginia Kehoe fonds
Image depicts Douglas Cranmer in the early stages of carving a totem pole. The pole is outside. A chain saw is visible on the ground.
Carving a pole with a chain saw
Parte deVirginia Kehoe fonds
Image depicts Douglas Cranmer in the early stages of carving a totem pole. The pole is outside. He is preparing to use a chain saw to make the early cuts to a pole. Markings are visible, showing where he will cut.
Parte deVirginia Kehoe fonds
Image depicts a nearly completed totem pole outside. A can of black paint is visible on the path. This pole may be the St. Catharines Ontario Centennial pole carved in 1967.
Parte deVirginia Kehoe fonds
Image depicts Douglas Cranmer on a break from carving. He smokes a cigarette as his chain saw rests on the ground.
Parte deVirginia Kehoe fonds
Image depicts Doug Cranmer using a chain saw to make early cuts on a totem pole.
Parte deVirginia Kehoe fonds
Image depicts a felled tree which will possibly become a totem pole.
Parte deVirginia Kehoe fonds
Image depicts Doug Cranmer taking a break from carving. He sits on a wooden bench and his chain saw rests on the ground in front of him.
Close up of partially carved pole
Parte deVirginia Kehoe fonds
Image depicts a pole that has been partially carved.
Parte deVirginia Kehoe fonds
Image depicts a tree with bark intact. The tree sits on some sort of support.
Parte deVirginia Kehoe fonds
Image depicts a partially carved pole, highlighting the top figure which appears to be a Thunderbird.
Midsection of partially carved pole
Parte deVirginia Kehoe fonds
Image depicts a partially carved pole, highlighting the mid section of the pole.
Parte deVirginia Kehoe fonds
Image depicts a partially carved pole being hosed down by carver Doug Cranmer.