Chief Mungo Martin memorial, pole raising
- 25-03-06-a037932
- Item
- August 1970
Parte deAnthony Carter fonds
Image of the top of a totem pole made in memory of the Kwakiutl Chief Mungo Martin. The pole was placed at his grave.
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Chief Mungo Martin memorial, pole raising
Parte deAnthony Carter fonds
Image of the top of a totem pole made in memory of the Kwakiutl Chief Mungo Martin. The pole was placed at his grave.
Sin título
Chief Mungo Martin memorial, pole raising
Parte deAnthony Carter fonds
Image of the raising of a totem pole made in memory of the Kwakiutl Chief Mungo Martin. The pole was placed at his grave. In this image, the pole has just been positioned into the hole where it will stand. Only the bottom o the pole is visible.
Sin título
Chief Mungo Martin memorial, pole raising
Parte deAnthony Carter fonds
Image of the raising of a totem pole made in memory of the Kwakiutl Chief Mungo Martin. The pole was placed at his grave.
Sin título
Chief Mungo Martin memorial, pole raising
Parte deAnthony Carter fonds
Image of the raising of a totem pole made in memory of the Kwakiutl Chief Mungo Martin. The pole was placed at his grave.
Sin título
Chief Mungo Martin memorial, pole raising
Parte deAnthony Carter fonds
Image of the raising of a totem pole made in memory of the Kwakiutl Chief Mungo Martin. The pole was placed at his grave.
Sin título
Chief Mungo Martin memorial, pole raising
Parte deAnthony Carter fonds
Image of the raising of a totem pole made in memory of the Kwakiutl Chief Mungo Martin. The pole was placed at his grave.
Sin título
Chief Mungo Martin memorial, pole raising
Parte deAnthony Carter fonds
Image of the raising of a totem pole made in memory of the Kwakiutl Chief Mungo Martin. The pole was placed at his grave.
Sin título
Alert Bay, cemetery and totem poles
Parte deAnthony Carter fonds
Image of a cemetery with two totem poles and a few graves with crosses.
Sin título
Parte deAnthony Carter fonds
Image of an unidentified totem pole featuring two creatures - a winged animal on top and what appears to be a human figure with raised arms on the bottom. Gravestones are visible in the foreground.
Sin título
Parte deAnthony Carter fonds
Image of an unidentified totem pole in Alert Bay.
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Parte deAnthony Carter fonds
Image of a totem pole near a graveyard. This image is printed on page 26 of Carter's book "from History's Locker," with the caption: "View from the graveyard at Alert Bay looking across Johnston straits toward Vancouver Island."
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Parte deAnthony Carter fonds
Image of totem poles displayed at the Museum of Anthropology at UBC
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Parte deAnthony Carter fonds
Scene from totem pole installations at the Museum of Anthropology at UBC.
Sin título
Image of Bill Reid carving a wooden sculpture. Carving tools are visible on top of the sculpture.
File includes one drawing and three photographs of MOA Object ID A50001 which is a totem pole. The photographs are annotated with handwritten information about their original repositories. The contents of this file were used to create object labels for MOA's Great Hall.
File includes one drawing of MOA Object ID A50013 which is a house frontal totem pole. The contents of this file were used to create object labels for MOA's Great Hall.
File includes one drawing and five photographs of MOA Object ID A50018 and other surrounding totem poles. The photographs are annotated with handwritten information about their original repositories. The contents of this file were used to create object labels for MOA's Great Hall.
File includes one drawing and seven photographs of MOA Object ID A50037 which is a totem pole. The photographs are annotated with handwritten and typed information about their original repositories. The contents of this file were used to create object labels for MOA's Great Hall.
File includes one photograph of MOA Object ID A6985 which is a totem pole. The contents of this file were used to create object labels for MOA's Great Hall.
[Bill Reid carving Spirit of Haida Gwaii model]
Image of Bill Reid carving a model of his sculpture The Spirit of Haida Gwaii. The photograph was taken by William McLennan in Reid's Granville Island studio.