Image taken at a pole raising ceremony in Masset. The pole was carved by Robert Davidson, Jr. This image shows a section of the pole after it has been raised. A man is standing nearby with a video camera, and a crowd is gathered in the background.
Image taken at a pole raising ceremony in Masset. The pole was carved by Robert Davidson, Jr. This image is looking down onto a man (Davidson?) painting the pole, with a crowd gathered nearby.
Image taken at a pole raising ceremony in Masset. The pole was carved by Robert Davidson, Jr. This image shows the pole laying on the ground, with ropes attached to raise it. A crowd is gathered, some of whom are holding onto the rope.
Image taken at a pole raising ceremony in Masset. The pole was carved by Robert Davidson, Jr. This image shows the crowd gathered for the pole raising. The most prominent person in the photograph is a woman wearing what appears to be a ceremonial dress, holding up a long stick.
Image taken at a pole raising ceremony in Masset. The pole was carved by Robert Davidson, Jr. This image shows Davidson speaking into a microphone, wearing what appears to be ceremonial clothing and a headdress. A crowd is gathered around him.
Image taken at a pole raising ceremony in Masset. The pole was carved by Robert Davidson, Jr. This image is looking down onto a man (Davidson?) painting the pole, with a crowd gathered nearby.
File consists of images from a pole raising ceremony in Masset, on Queen Charlotte Island, Haida Gwaii. The pole was carved by Robert Davidson, Jr. Images show the crowd, speakers (including Davidson), the process of raising the pole, and nearby scenery.
Item is a sound recording made by Potterton Productions titled Potlach People, that features the sound of potlatch whistles followed by a short talk (approximately 1.5 minutes) by artist Robert Davidson. The rest of the recording is made-up of a soundscape featuring whistles and bird calls.
The collection consists of eight photographs likely taken in the Nuu-chah-nulth community in the 1920's. Some of the photographs may have been taken by Catherine, the daughter of an early Indian Agent named Augustus Cox. They include a number of images that appear to be a Samiilth or Saatlsaach ceremony, with K'aanaatla mimicking wolves. Some of these images are taken near a seaside village, which shows various types of structures and canoes. Other images taken on a beach show canoe runs, as well as two images of individuals in robes and headdresses. Another image shows a detailed view of two headdresses. There are also images of what seem to be preparations for a parade, with individuals dressed in costumes and decorated motorcars nearby.
At the center of image, Joe David's daughter can be seen tucked under her father's button blanket in such a way that her eyes are entirely covered by the cloak. Norman Tait stands on the left side of image.
The image is of Norman Tait and two of his sons on the left side of image and Joe David with his daughter tucked under his button blanket to the right side. The little girl clutching a small item is the only one facing the camera while the others are all looking away.
Joe David and his daughter are in front of the canoe log. The little girl appears tucked under her father's button blanket. Norman Tait stands at the left of image holding one of the canoe paddles.
Image is of Rob't, Mercy, Norman, and Bill Reid during welcome ceremony. Bill Reid is speaking with folded notes in his hands. Mercy holds an umbrella while Norman holds a paddle.