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File contains one spiral bound book (unpublished) containing photographs of the Signed without Signature exhibition and events, as well as a review of the exhibition.

Subseries consists of records related to the <i>Signed Without Signature: Works by Charles and Isabella Edenshaw</i> exhibit curated by McLennan for MOA. In this exhibition, McLennan focused on showcasing Charles Edenshaw’s metalwork and painting, and Isabella Edenshaw’s basketry, to illustrate how each artist created a recognizable “signature” through art and not by physically signing their names, and how it evolved through their long careers. Records include research on the Edenshaws, exhibit photos, reviews, notes, correspondence, artifact loans, and files relating to individual museums and heritage institutions which hold Edenshaw artifacts.

This file contains the beginning stages of exhibit design for the <i>Signed Without Signature</i> exhibit. This file is divided into two parts: concrete wall, and window wall photo. These refer to structural elements in the gallery space where objects and signage were to be displayed.

File contains photo-copies of images of First Nation community members in Alert Bay and at St. Mike's Residential School. The photographs were taken to community elders who had been at the residential school so that they could annotate the photographs. Not all of the images in the file were used in the exhibit.

File contains photo-copies of images of First Nation community members in Alert Bay and at St. Mike's Residential School. The photographs were taken to community elders who had been at the residential school so that they could annotate the photographs.

Subseries consists of records relating to research on residential schools that led to the production of the exhibit Speaking to Memory: Images and Voices from St. Michael's Residential School, held at the Museum of Anthropology, UBC.

File contains copies of the labels used in <i>The Transforming Image</i> exhibit.

File contains images of totem poles being removed from Anthony Island.

File contains images of totem poles being being crated and shipped by boat.

File contains photographs and copies of text relating to the exhibit.

File contains images of Anthony Island.

File contains images of Lyle Wilson's sculptural artworks. In addition this file contains postcards, exhibit text, and Wilson's and Bill McLennan's notes regarding the exhibit When World's Collide.

Subseries consists of images used in the Museum Note No. 23 <i>Bob Boyer: A Blanket Statement</i>

File contains images of Anthony Island, and one of Wilson Duff doing archaeology.

File contains images of the exhibit panels for the exhibition "Benetton," curated by the 2001 Anthropology 432 students.

Subseries consists of the text and images used in an exhibit titled <i>Clothing Identity.</i>

File contains images of the exhibit <i>Changing Tides : The Development of Archaeology in the Fraser Delta Region</i>.

File contains images of the exhibit <i>Blue Jeans</i>, held at the Museum of Anthropology, UBC.

Subseries contains images showing artworks portraying people fishing.

File contains images of artwork showing people fishing.