- 132-1-C-C-a041799
- Item
- [197-?]
Parte deMOA General Media collection
The entrance to Gallery 3 (now the O'Brian Gallery) from the Great Hall at the Museum of Anthropology. House posts and totem poles are also visible.
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Parte deMOA General Media collection
The entrance to Gallery 3 (now the O'Brian Gallery) from the Great Hall at the Museum of Anthropology. House posts and totem poles are also visible.
Bear house posts in the Museum of Anthropology
Parte deMOA General Media collection
Bear house posts at the entrance to the ramp in the Museum of Anthropology. These figures were transferred from Gilford Island to the Museum of Anthropology in 1956.
Bear house posts in the Museum of Anthropology
Parte deMOA General Media collection
Bear house posts at the entrance to the ramp in the Museum of Anthropology. These figures were transferred from Gilford Island to the Museum of Anthropology in 1956.
Workers prepare to raise a totem pole in the Museum of Anthropology
Parte deMOA General Media collection
Workers prepare to raise a totem pole in the new Museum of Anthropology as it was being moved from Totem Park to the new Museum of Anthropology building.
This pole was carved by George Hunt Sr. The pole is now part of the museum's collection. This pole was originally carved for the Edward S. Curtis film "In the Land of the War Canoes" which was originally titled "In the Land of the Head Hunters." The pole was repaired and re-painted by carvers Ellen Neel in 1949 and Mungo Martin in 1950-51. It stood at Totem Park, UBC Campus until it was re-located to the Museum's Great Hall in 1976.
Workers prepare to raise a totem pole in the Museum of Anthropology
Parte deMOA General Media collection
Workers prepare to raise a totem pole in the new Museum of Anthropology as it was being moved from Totem Park to the new Museum of Anthropology building.
This pole was carved by George Hunt Sr. The pole is now part of the museum's collection. This pole was originally carved for the Edward S. Curtis film "In the Land of the War Canoes" which was originally titled "In the Land of the Head Hunters." The pole was repaired and re-painted by carvers Ellen Neel in 1949 and Mungo Martin in 1950-51. It stood at Totem Park, UBC Campus until it was re-located to the Museum's Great Hall in 1976.
Workers raising a totem pole in the Museum of Anthropology
Parte deMOA General Media collection
Workers raising a totem pole in the new Museum of Anthropology as it was being moved from Totem Park to the new Museum of Anthropology building.
This pole was carved by George Hunt Sr. The pole is now part of the museum's collection. This pole was originally carved for the Edward S. Curtis film "In the Land of the War Canoes" which was originally titled "In the Land of the Head Hunters". The pole was repaired and re-painted by carvers Ellen Neel in 1949 and Mungo Martin in 1950-51. It stood at Totem Park, UBC Campus until it was re-located to the Museum's Great Hall in 1976.
Whistles on display in visible storage
Parte deMOA General Media collection
Whistles on display in visible storage at the Museum of Anthropology.
Whistles on display in visible storage
Parte deMOA General Media collection
Whistles on display in visible storage at the Museum of Anthropology.
Whistles on display in visible storage
Parte deMOA General Media collection
Whistles on display in visible storage at the Museum of Anthropology.
Mungo Martin adzing a totem pole
Parte deMOA General Media collection
Mungo Martin restoring a totem pole originally carved by Charlie James. The pole later stood in Totem Park at UBC before being moved to the Great Hall of the Museum of Anthropology.
Mungo Martin and Charles Docherty working on a totem pole
Parte deMOA General Media collection
Mungo Martin and Charles Docherty working on a totem pole. Charles Docherty, a carpenter, was hired as his assistant.
Mungo Martin working on a totem pole
Parte deMOA General Media collection
Mungo Martin working on a totem pole.